This paper calls for Norden to be understood as a metaframe. Related formulations like “Nordic art” or “Nordic welfare” function as mesoframes. These trigger multiple framing devices. A cache of related framing devices constitutes a framing archive. Framing devices work best when operating unobtrusively such that inclusions, exclusions and inconsistencies are condoned or naturalised. Their artifice, however, becomes apparent whenever a frame is questioned. Questioning or criticising a frame gives rise to a framing dispute. The theoretical justification for these typologies is provided at the outset. This schema is then applied to a select range of empirical examples drawn largely from the disciplinary frames (Ernst 1996) of art history and museum studies. Despite this specificity it is envisaged that the general principles set out below can and will be used to address a variety of devices, disputes and archives in Norden and beyond
Drawing on Rogers Brubaker's theoretical analyses of "nationness" and nationalism in post-communist europe, this article examines the dynamics of social identity within the nationally contested setting of the estonian-Russian borderland. Since 1991, the city of Narva (96% Russophone by population) has customarily been defined (both politically and academically) in binary national terms as a "Russian enclave" within a unitary and "nationalizing" estonian state. an ethnographic approach to the case, however, gives a rather different perspective, pointing to hybridity rather than nationality as the defining characteristic of identity politics within the city. In what follows, we bring to bear the results of extensive fieldwork carried out in Narva during 2006-2008. We first examine how different identity categories (local, national, meso-regional, and supranational) are being officially inscribed within Narva's sites of memory. Thereafter, we focus on how these discursive-material articulations of place are implicated within the everyday performance of identity amongst the city's population. Using the novel methodology of photo elicitation, we examine how residents of Narva appropriate but also subvert the identity categories that elites and outsiders (including ourselves as researchers) would seek to impose on them from above. This study (we argue) is significant for its methodological novelty, as well as in terms of giving a more nuanced understanding of Narva's situation at a time of continued ethnopolitical contestation within estonia as a whole.
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