All aspects of life cannot escape the development of the times with the last phenomenon being the influence of the development of the digital world which is called the process of "digitalization". Architecture as one aspect of life certainly does not escape undergoing this digitilization process. Aim this paper discusses the process of digitalizing architecture using a philosophical point of view. The research was conducted using Desk research, from data and existing literature. The data is then filtered according to its interrelationships, validity and adjusted to its needs. Then a predictive analysis was carried out to get a (hypothetical) conception of digital architecture digital architecture in IKN Nusantara. The results of this discussion are understanding of the application of the digital ontological paradigm into the architectural process carried out at IKN Nusantara as a study case and in the context of the creative economy, which is the future of the Indonesian Economy, is very appropriate to develop a Neo-vernacular Digital Architecture in Indonesia which is hereinafter referred to as Neo-Nusantara Architecture.
The architecture and interior of the Church of the Sacred Heart of the Lord Jesus Ganjuran (HKTY) Bantul Yogyakarta in the form of joglo with supporting elements in the form of interior furniture, statues, decoration, domes, glass paintings. This study uses a qualitative method with a case study at the Church of HKTY Ganjuran research focus on finding the meaning of interior supporting elements. Retrieval of data through interviews, observation, documentation, and literature study. The results of the study that the supporting elements of the interior have meaning to support people praying or worshiping. On some furniture there are ornaments about pelicans that have the meaning of the Sacred Heart, the Most Holy, who is willing to give life, for his children to stay alive. Sculptures in Javanese outfit so that people near are easy to pray with God because they come with Javanese faces. The decoration on the dome above the priest's sanctuary contained symbol images of the four gospels and The Most Holy Trinity. That is, when the Imam consecrated and looked up always always permeated the four holy Gospels and The Most Holy Trinity. This kind Samaritan glass painting is located on the east side of the Ganjuran church priest's home so that Catholics after attending the Eucharist are ready to do for anyone in need, because faith without works is dead. The colors used are green which means fertility, growth and indicates hope. The yellow color of gold means the glory of God, the red color means martyrdom, sacrifice and black has a meaning of origin and harmony. The people when praying are increasingly directed towards God because they are helped by the architecture and interior of the church which is a condition for meaning.Keywords: HKTY Ganjuran Church; interior supporting elements. ABSTRAK Arsitektur dan interior Gereja Hati Kudus Tuhan Yesus Ganjuran (HKTY) Bantul Yogyakarta berupa joglo dengan elemen pendukung interior berupa furnitur, patung -patung, ragam hias, kubah, lukisan kaca. Penelitian ini menggunakan metode kualitatif dengan studi kasus pada Gereja HKTY Ganjuran fokus penelitian pada menemukan makna elemen pendukung interior. Pengambilan data melalui wawancara, observasi, dokumentasi, dan studi pustaka. Hasil penelitian bahwa elemen pendukung interior mempunyai makna untuk mendukung umat berdoa atau beribadat. Pada beberapa perabot terdapat ornamen tentang burung pelikan yang mempunyai makna Hati KudusYang Maha Kudus, yang bersedia memberikan hidup, bagi anak-anaknya agar tetap hidup. Patung - patung dengan busana Jawa agar umat dekat mudah untuk berdoa dengan Tuhan karena hadir dengan wajah Jawa. Ragam hias pada kubah yang berada di atas panti imam ini terdapat gambar simbol ke empat Injil dan Tritunggal Maha Kudus. Maksudnya ketika Imam melakukan konsekrasi dan menengadah keatas selalu meresapi tentang ke empat Injil suci dan Tritunggal Maha Kudus. Lukisan kaca orang Samaria yang baik hati ini terletak di sisi timur panti imam gereja Ganjuran agar umat Katolik seusai mengikuti perayaan ekaristi siap sedia berbuat bagi siapapun yang membutuhkan, sebab iman tanpa perbuatan adalah mati. Warna – warna yang dipergunakan yaitu warna hijau mempunyai makna kesuburan, pertumbuhan dan menandakan pengharapan. Warna kuning emas bermakna kemuliaan Allah, warna merah menunjukkan kemartiran, pengorbanan dan warna hitam mepunyai makna asal mula dan kesejatihan. Umat ketika berdoa semakin terarah kepada Tuhan karena terbantu oleh arsitektur dan interior gereja yang syarat akan makna.
Cities in a developing country play a role as a growth-pole, with high economic activity. This role, acts as a great magnet for low income rural people-who still live in a cosmocentric ontology-to migrate to the cities. This condition becomes a real challenge to urban designers in a developing country. The rural migrants accumulate as the majority of inhabitants and if they are not considered carefully there will be many problems to the city's life, include the emergence of slums and shanties. Semarang is the municipal of Mid-Java province in Indonesia, a developing country. A significant case among many others, Semarang can be found at the Djohar traditional market at the center of the city. The traditional market was designed by famous Dutch olden-times architect, Herman Thomas Karsten. The market was designed for ordinary lowclass people complementary to the Bojong shopping street, which was designed for the Elite Dutch class. Indonesia proclaimed its independence on August 17 th 1945. About the year 2000, some investors tried to change Djohar and its surrounds into an elite shopping area. This effort failed. The low-class people still exist in this area. This tells us about a different urban planning and design solution for different communities living in a city. A specific treatment in urban planning and design in a developing country that fits the worldview of the people living in it is required: Postmodern urban planning and design, with local wisdom as the ontological foundation.
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