As in the Middle East and North African (MENA) region, public service broadcasting (PSB) in Morocco suffers from the existence of authoritarian forms of governance that hinders PSB performance. Technology is also a factor. TV and radio stations still rely on analog terrestrial and digital satellite broadcasting and their online presence are extensions of their analog versions, rather than new digital multiplatform distribution systems. In Morocco, the wave of political liberalization and democratization that marked the second half of the 1990s resulted in major media reforms especially in the broadcasting sector. The High Authority for Audiovisual Communication was created in 2002 as an independent public institution to establish the legal framework for the liberalization of the audiovisual sector and to oversee the PSB sector in the country. The paper analyzes the legal environment to assess the extent to which PSB is safeguarded from political influence. The study found that the overall non-democratic cultures within Morocco and the countries of the MENA region are the main determinants of performance. In some MENA countries, the legal framework and the institutional structure were created to provide the conditions for public service to materialize. PSB performance in this region remains weak, however. The study argues that unless there is political will at the highest level, a public service system will be nothing more than a pseudo 'public' system bouncing back and forth between milder and stronger forms of authoritarianism.
The existence of a positive relationship between spiritual engagement and well-being is currently based on weak correlational evidence, generally in Western contexts. This study advances understanding through a naturalist, longitudinal study of 226 people, including Malays, Chinese, and Indians, experiencing the Hindu Thaipusam festival in Malaysia. We measured the subjective well-being of people with varying levels of engagement-from nonobservance or simply observing the festival to extreme engagement. Each person was assessed 3 months before, 2 weeks before, 2 weeks after, and 4 months after the festival. We found that the subjective well-being of those with the most extreme level of engagement was permanently higher than other groups. The well-being of those with a strong, but less extreme engagement rose at the time of the festival and remained elevated. The findings are discussed in relation to homeostatic theory of well-being and the potential benefits of spiritual engagement.
This paper aims to delve into the history of broadcasting in Malaysia since the 1980s. We will go down memory lane and see the inception of the first private television station in the country -Sistem Television Malaysia Berhad (STMB) or better known as TV3 which received its licensed in 1983. This paper also looks at the question of ownership as there are strong political and economic ties between the government and the media. While privatization is a goal in the business sector, a free press without government restrictions is not. The government controls the presses and the publishing enterprises throughout Malaysia. Privatization of this television station was one of the initial efforts to transfer media ownership from the government to the private sector. That was in the initial stages of development. Now TV3 sits under Media Prima Berhad, a company listed on the Main Board of Bursa Malaysia and is Malaysia's leading integrated media investment group. It currently owns 100 per cent equity interest in TV3, 8TV, NTV7 and TV9. In addition, Media Prima now owns more than 96.85 per cent equity interest in The New Straits Times Press (Malaysia) (NSTP) Berhad, one of Malaysia's largest publisher which publishes three national newspapers; the New Straits Times, BeritaHarian and Harian Metro. It also owns three radio networks, Fly FM, Hot FM and One FM. This paper also looks at Malaysia's first cable network popularly known as ASTRO. ASTRO is the brand name of the Malaysian direct broadcast satellite pay television service. It transmits digital satellite television and radio to households in Malaysia and Brunei. Astro is an acronym for All-Asian Satellite Television and Radio Operator. Astro is owned and operated by MEASAT Broadcast Network Systems, a wholly-owned subsidiary of Astro All Asia Networks. The other entity under study is Radio Televisyen Malaysia or better known as RTM, a government owned television network.
The Internet has brought about a huge change in the way we do things and on many aspects of our society. The advent of the Internet in Malaysia dates back to 1995, which was considered the beginning of the Internet age in Malaysia. The aim of this paper is to trace the diffusion of Internet in Malaysia until present. The growth in the number of Internet hosts in Malaysia began around 1996. The country's first search engine and web portal company was also founded that year. From the first Malaysian Internet survey conducted from October to November 1995 by MIMOS and Beta Interactive Services, one out of every thousand Malaysians had access to the Internet then (20,000 Internet users out of a population of 20 million). The National Public Policy Workshop (NPPW) in 2005 proposed tremendous changes towards a strategy to move forward the uptake of ICT and internet in Malaysia. Among the outcomes of the NPPW is the High Speed Broadband initiative which was launched in 2010. As of July 2012 internet users in Malaysia reached 25.3 million. Out of that number, there are 5 million broadband users, 2.5 million wireless broadband users and 10 million 3G subscribers. With access to the Internet been largely achieved, the next step would be to maximise the use of the Internet in achieving digital inclusion and gaining cultural capital.
The following study of selected works of art by Zulkiflee Anwar Haque or better known as Zunar, a Malaysian political cartoonist from his book ‘Twit Twit Cincin’. This study is guided by the visual rhetoric theory that has three areas of study - nature, function and evaluation. The study looks at selected cartoons that addressed political figures, politics and social issues. The research looked at the way the caricatures portrayed Malaysian politicians, his perspectives on the political and social issues and how these issues were addressed. The researcher also looked at metaphors used by the cartoonist to communicate his ideas to the audiences. The study found that Zunar’s portrait of Malaysian politicians is not always positive. He is critical but not in an inflammatory way. The metaphors found in Zunar’s work are found to be common themes and simple to understand. They are also very well-known, visually appealing and a tool to tie his messages together and to get his ideas across. Zunar has managed to resist the oppression of the state through his cartoons while looking at institutional reform, puts forth an alternative articulation of history and nation that juxtapose the current government. Keywords: Zunar, political cartoonist, political and social issues, Twit Twit Cincin, metaphors.
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