This paper examines micro-independent record companies, mostly set up by musicians according to the Do It Yourself (DIY) principle. They serve as distribution channels for counter-mainstream, often local, music. This paper discusses the characteristics of micro-(DIY) independents in the Netherlands and their rationale and motives in the context of persisting uncertainties in the music market. Earlier research (Hesmondhalgh 1998b, 1999, Strachan 2003, 2007
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