Architecture and fashion are different in the product. The high consumptive nature of fashion followers turned it into a commercial field for the designers, in contrast to the architectural products that can be worth up to billions of money, which makes architecture difficult to renew its design in a short time. The western fashion cycle that changes every season, four times a year, is inversely related to the cycle of architecture that can last for years. Those things affected two phenomena of the recent issue of architecture and fashion, that (1) many buildings were found to be designed using fashion cycle principle that is always new and different since it can save the production costs, and (2) to satisfy their desire in design, some architects decided to switch the profession to become a fashion designer so they can produce more design in a year. This research focused on the first issue that aims to describe fashion as a commercial periodical concept that can be applied in the architectural field to increase the commercial value of the building and its environment through an example from the Western architecture in recent years. The paradigm used in the study is the post-positivistic type with qualitative research. The analysis technique used is a descriptive-explanative type through the non-textual content analysis of visual data (images, photos, and videos). The results showed that the essence of fashion as ‘clothes’, which alternated to always create a new image, is expected to continuously create innovations that can enrich the design field with less funding. On condition which did not affect the characters, the application of cross-concept and crossprofession had positive impacts on the development of architecture.

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Sidenreng Rappang Regency, South Sulawesi Province was recorded to be ranked 2nd (second) as the regency/city with the highest slum area in South Sulawesi in 2020.The development of the Sidenreng Rappang Regency area as a strategic agribusiness center area with economic activity with high mobility and the increasing need for land for large-scale production facilities and housing development is suspected to have implications for the existence of this slum settlement. This study aims to identify the relationship between the level of regional development and slums in Sidenreng Rappang Regency. The research method used is a scalogram analysis on the variables of population, distance and travel time, educational, social, economic, health, and agribusiness support facilities in each village/urban village which produces the value of the Urban Village Development Index (IPK) and Village/Urban Village Hierarchy. Furthermore, the relationship between the development level and the slum area was identified through a Pearson Correlation between the IPK value and the village/urban village slum area. The results showed that the Village Development Index (IPK) with the percentage of slum area is not correlated or it can be concluded that the level of regional development has no relationship with the slums in Sidenreng Rappang Regency.

皿 lis s 重 udy 酣 err 甲 ts to examine characterisIics oftraditional housing group in Kudus urb 細 area and its altering tendency ， inQrderto consid ¢ rpossibility forpreservation ． W ¢ fbundthat： − BuHding altcration co 町)rises change ofcarved woodcn elements using contemporary materials ｝ replacerment of wooden −traditional houses with brick −ordinary ones ， or ， their removal to be empty lots ； and 爬 place nt ofyards with buildings ； −Ar ¢ a aiteration cor 叩 rises dGcreaseofwooden houses ， increaseofbrick houses ， and increase ofer 叩 ty lots ， with great ¢ r tendencyalong the streetthan inkampung ' − In the last three decades， thearea has bs 重 15％ ofits wooden houses dueto natural decay， partial or wholesale ； only 35 ％ ofthe remaining are compl ¢ te． Accordinglywe recommend consid ¢ rations f()rpr ¢ servation ， Kt 『 ywe 「ds " Indonesia'Kudus ； traditionalhous ' nggroup ； archi 'ecturalcharacteristics ； building a 〃eration ， preservation

Existence of Buginese aristocrat traditional house in Bone is greatly influenced by social stratification applied by the community; this causes differences on manifestation of form and space. It should guess that Bone aristocrat houses pay attention to some similarity with Buginese houses but since, Bone aristocrat historically has its own background (different to common people), this leads to differences on essential physical manifestation of its houses which is conducted to manifest description of dominant treasure ad cultural heritage eastern Indonesia and there are yet any in-depth researches on these issues. This research aims to find out the concept of form and space in Buginese aristocrat traditional houses and other factors which influence. Focus of the research is Buginese aristocrat houses in Bone Regency. Type of research is qualitative with rationalistic paradigm. Results of the research are: concept of the form has the principle of "Social millieu" namely the house serves as expression of aristocrat role static in presenting its stratification as a form of attaching unity in order to show its social status, concept of space has the principle of "Cultural symbolization" namely space serves as a symbol of micro-cosmos manifestation that is trusted by their ancestors, then it is known, related as well as given symbolic meaning, then identified based on its community culture which describe specific characteristics of the space, the factors influences on its are social environment and acculturation process of modern values.