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Consistent and well‐defined criteria for the classification and measurement of humpback whale song features are essential for robust comparisons between investigators. Song structure terminology has been well‐established and used by many authors, though at times inconsistently. This review discusses the development of the nomenclature describing humpback song and explores the potential significance of the often‐overlooked variation in song patterns. Within the hierarchical definition of humpback song, the most problematic issues arise from the inconsistent delineation of phrase types, and the use of the metric of song duration without regards to variability in thematic sequence. With regards to the former, a set of guidelines is suggested to facilitate consistent delineation of phrases. With regards to the latter, current research demonstrates that the “song duration” metric has resulted in the disregard of variability at this level, which is more widespread than traditionally reported. An exemplar case is used to highlight the problem inherent in defining and measuring song duration. Humpback song is evaluated within the framework of avian songbird research, and a shift in analysis paradigm is recommended, towards phrase‐based analyses in which sequences of phrases are treated as a salient feature of song pattern.

Fixed autonomous acoustic recording devices (autonomous recorders [ARs]) are defined as any electronic recording system that acquires and stores acoustic data internally (i.e., without a cable or radio link to transmit data to a receiving station), is deployed semi-permanently underwater (via a mooring, buoy, or attached to the sea floor), and must be retrieved to access the data. More than 30 ARs were reviewed. They varied greatly in capabilities and costs, from small, hand-deployable units for detecting dolphin and porpoise clicks in shallow water to larger units that can be deployed in deep water and can record at high-frequency bandwidths for over a year, but must be deployed from a large vessel. The capabilities and limitations of the systems reviewed herein are discussed in terms of their effectiveness in monitoring and studying marine mammals.

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Among different approaches to exploring and describing the ecological complexity of natural environments, soundscape analyses have recently provided useful proxies for understanding and interpreting dynamic patterns and processes in a landscape. Nevertheless, the study of soundscapes remains a new field with no internationally accepted protocols. This work provides the first guidelines for monitoring soundscapes in three different tropical areas, specifically located in the Atlantic Forest, Rupestrian fields, and the Cerrado (Brazil). Each area was investigated using three autonomous devices recording for six entire days during a period of 15 days in both the wet and dry seasons. The recordings were processed via a specific acoustic index and successively subsampled in different ways to determine the degree of information loss when reducing the number of minutes of recording used in the analyses. We describe for the first time the temporal and spectral soundscape features of three tropical environments. We test diverse programming routines to describe the costs and the benefits of different sampling designs, considering the pressing issue of storing and analyzing extensive data sets generated by passive acoustic monitoring. Schedule 5 (recording one minute of every five) appeared to retain most of the information contained in the continuous recordings from all the study areas. Less dense recording schedules produced a similar level of information only in specific portions of the day. Substantial sampling protocols such as those presented here will be useful to researchers and wildlife managers, as they will reduce time-and resource-consuming analyses, whilst still achieving reliable results.

Until recently, freshwater turtles were thought to be silent reptiles, neither vocalizing nor hearing very well. We recorded individuals in nature, captivity, and during interactions between adults and hatchlings and show that hatchlings and adult turtles, Podocnemis expansa, produce sounds in and out of the water. Sounds were emitted by hatchlings inside the egg, in open nests, in the river, and in captive conditions. Adult females were recorded producing sounds in the river, while basking, while nesting, and in captivity. Females were recorded in the river approaching and responding to hatchling sounds. We detected 2,122 sounds, classified in 11 different types. These data suggest that there is sound communication between adults and hatchings and that these sounds may be used to congregate hatchlings with adults for mass migration. Hatchlings and females with transmitters were found migrating together. We consider these findings as the first evidence of acoustic communication mediating posthatching parental care in chelonians. We anticipate that our findings will influence the way turtle behavior is studied and interpreted, and add communication and sound pollution to turtle conservation concerns.