Biophilic design is developed in urban planning concepts for cities—in line with sustainable development. A case study of converting a former paper mill in Nanterre into a university campus showed what factors influence the emergence of the biophilic form. The research informs the planning and design mechanisms and directs attention to the process. As a result, the study demonstrates that biophilic elements from the place-based pattern group are directly related to in-depth environmental analysis—similar to elements from the nature-based and element-based pattern groups. Together they result in a biophilic form. The element of creation is also present in the design process but is not the primary determinant of the choice of a design approach. In part, the form is adapted to the area's environmental characteristics, which result from their interaction with objective determinants. Nevertheless, the implementation is not devoid of compositional, creative, and cultural elements—that is, it assumes the features of biophilic architecture. This fact proves that the environment can influence the creative potential in architecture and urban studies.
The manipulation of landscape and the technological use of its views can be a strategy for place-making and a way of creating architecture and making it original. The methods used for this can be different, for example, by mechanically revealing and obscuring views, optical or film projection, directing the viewer to specific frames, using mirrors, etc. This approach is alternative and somewhat in opposition to the natural incorporation of the object into the landscape. In modernism, different architectural views of the surroundings were tested and used differently. These experiences are now transposed to contemporary architectural objects thanks to technological developments and the scenographic shaping of space. The article refers to the sources of transferring landscape views in popular dioramas and the effects of the development of photography, cinematography, and IT media. It describes the possible consequences of perceiving such a created landscape and more general — the world. An example of such a means of expression being fully and consciously taken is the now-defunct Charles de Beistegui Paris apartment. It was designed by Le Corbusier and Pierre Jeanneret in 1929–1931. The apartment was selected for analysing as a case study and confronted with contemporary realisations that use various creative techniques involving the landscape.
W artykule naświetlono, jak obecnie ujmuje się pod względem architektonicznym i krajobrazowym kwestie związane z przeszłością, a w szczególności, jakie znaczenie ma autentyzm obiektu lub miejsca, kontekst oraz jak wpływa na kształtowanie architektoniczne opisane przez Lva Manovicha „poszerzanie rzeczywistości”. W niniejszym tekście nawiązano do wybranych koncepcji socjologicznych: Manovicha, Goffmana, Nory, Baumana, zwracając tym samym uwagę na rozproszenie przedmiotowego zagadnienia na inne dziedziny nauki. Na podstawie przedstawionego paradygmatu przestrzeni scenografi cznej przeprowadzono studium restrukturyzacji terenów dawnego, królewskiego arsenału w Woolwich, w Londynie, który obrazuje współczesne problemy ochrony dziedzictwa.
The paper presents the strategy of redevelopment of the post-industrial King’s Cross area in London – one of the biggest European investments in the last years (the surface of approx. 67 acres), which could be considered the perfect case study for similar works.The author described in details the investment process, as well as the principles and effects of functional and spatial changes that have led to creation of the new system of open space, adaptation of selected post-industrial buildings for new functions (also the buildings proclaimed as a monument) and also fostering a new urban dimension to the wastelands. Detailed architectural issues are presented on the example of 3 squares: Granary Square, Pancras Square and King’s Cross Square. Field research was realized from 2011 to 2016.
The article presents the history of transforming one of the oldest places in Hamburg - the Cathedral Square (Domplatz), as well as the influence of historical factors on the conception behind its development. A tumultuous history, especially the consequences of World War II, has led to the diminishment of its historical significance. The undeveloped quarter once occupied by a prehistoric settlement and St. Mary's Cathedral functioned as an urban wasteland and a parking lot for a few decades. Attempts to change this state of things proved unsuccessful.
Currently, revitalization works aimed at renewing city centers are being realized more and more often, in order to make them become competitive against the overly developed suburbs and so as to return to the tradition of forming a European city. The green area established in the Cathedral Square in 2009 was to be built-up initially, but owing to the objection of urban communities - conservators, archeologists, politicians, as well as public opinion, such plans were abandoned. The proposed and realized current form of the square reflects the historical background of the city and honors the importance of the location. The article refers the described example to the Recommendation signed in 2011 by the UNESCO General Conference regarding Historic Urban Landscape.
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