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Background: There is growing interest in the relationship between physical and psychosocial factors related to resilience to better understand the antecedents of health and successful adaptation to challenges in and out of school, and across the lifespan. To further this understanding, a trans-disciplinary approach was used to investigate the association between the multidimensional constructs of physical literacy and resilience in children at a key stage in their development.Methods: Cross-sectional data were collected from 227 school children aged 9-12 years old from five schools in Winnipeg, Manitoba, Canada. Resilience was measured using the Child and Youth Resilience Measure, and physical literacy through the Physical Literacy Assessment for Youth tools. Data were provided by self-report, surrogate assessors of the child (physical education teachers and parents), and trained assessors for movement skills. These data were analyzed using correlation and logistic regression.Results: Resilience was significantly correlated with numerous indicators of physical literacy, including movement capacity, confidence, and competence, environmental engagement, and overall perceptions of physical literacy. Regressions indicated that resilience could be predicted by movement confidence and competence, environmental engagement, and overall physical literacy.Conclusions: The findings of this study, using a constellation of sources, provide foundational evidence for the link between resilience and physical literacy among children, encouraging the importance of physical literacy development in schools. Longitudinal studies are required to further examine this relationship and how these previously unrelated fields may work together for a richer understanding of the interplay between the physical and psychological determinants of well-being.

32In this paper, an applied analysis of the psychological processes and skills necessary for

The COVID-19 pandemic resulted in the abrupt closure of circus schools, venues, and companies, introducing a myriad of novel stressors. Performers and students must now attempt to maintain their technical, physical, artistic, creative, and cognitive abilities without in-person support from their coaches and must manage the isolation from their training and performing spaces. For circus artists, the transposition of the work space to a home environment is not possible, which creates novel stressors that could lead to the exacerbation and escalation of mental health issues. The purpose of this study is to develop, implement and evaluate a holistic interventional program based on the socio-ecological model of resilience and operationalized through physical literacy. This will be a prospective longitudinal study with a retrospective comparison to data from a similar student cohort pre-pandemic. Interventions were designed using a population-specific, participant-based developmental model within a knowledge translation framework. The interventional program includes group webinars, small group information sessions, and one-on-one Zoom meetings, in addition to the distribution of electronic educational materials. The interventions will holistically provide psychological, physical, social, technical, artistic, and creative supports. Resources will be deployed throughout the closure period and through recovery, as transitions to return to training after prolonged hiatus will magnify known psychological and physical difficulties. Repeated, longitudinal assessment of students will be utilized to track changes over time at key transitions in the pandemic and school year and will be compared to a pre-pandemic school year. The framework for this program will be translatable to other performing arts and high-performance contexts. The program has implications for the mental health and overall wellbeing of artists and for cultural and economic recovery of the industry.

OBJECTIVE: To characterize clinical burden of injuries incurred by circus students enrolled in a 3-year college training program. METHODS: Student (n=334) injury data derived from an in situ clinic was examined over a 7.5-year time frame from August 2009 to December 2016. Injury incidence rate (per 1,000 training hours) was calculated and clinical incidence (injuries/year) was examined in relation to year in program, sex, age, and circus discipline. Weekly and monthly injury incidence were plotted with respect to milestones in the scholastic training year. Clinical burden (injury incidence and duration) was examined according to anatomic location and circus discipline. RESULTS: The overall injury incidence rate was 1.89 injuries/1,000 training hours and 0.94 injuries/1,000 training hours for injuries with a duration longer than 4 weeks. Clinical incidence decreased with year in program (p<0.05) and there were no sex or age differences. Temporal analysis demonstrated elevated weekly injury incidence for the 3 weeks following return from both summer and winter vacation (p<0.01) and for the weeks leading up to technical exams (p<0.01). According to anatomical location, shoulder injuries accounted for the greatest clinic burden followed by ankles and according to discipline, ground acrobat flyers followed by ground acrobats with equipment accounted for the greatest clinic burden. CONCLUSION: Overall injury incidence rate in the circus training program was within the range reported by other circus training programs and similar artistic and athletic training programs. Resources should be designated for enhanced rehabilitation efficacy and prevention of shoulder and ankle injuries and for ground acrobats with equipment and flyers. Preventative strategies to improve safety upon return-to-training after vacations should be examined.

AIMS: The development of elite circus artists requires extensive technical and artistic training, as well as a commensurate level of physical preparation in readiness for a demanding professional career as a performance artist. While sport research has identified the importance of monitoring sleep and fatigue in athletes to optimize performance and to prevent illness and injury, not a single study of circus artists exists. This study provides a longitudinal examination of sleep and fatigue in elite circus student-artists. METHODS: 92 student-artists (60 male, 32 female) were analyzed at 4 strategic time points over a preparatory year. At each time point, sleep parameters (duration, quality and latency), ratings of perceived exertion (RPE), wakefulness, and fatigue were obtained using questionnaires. RESULTS: Student-artists attained an average nightly sleep of 8 hours, 27 minutes, exceeding the recommended durations for general populations and those self-reported in athletes. The majority of the artists also indicated acceptable sleep latency (87%) and quality (83%) scores. Sleep parameters remained consistent throughout the year despite significant variations in training load and fatigue. Sleep parameters were not substantial predictors of overall fatigue. Fatigue covaried with yearly variation in sessional training loads. CONCLUSIONS: Although improvement in sleep could be postulated as a means to mitigate fatigue, it is likely that strategies aimed at optimizing the loading profile and additional recovery techniques be a first line approach.

There is limited information available to assist evidence-supported detection and referral of mental, social, and physical health issues affecting performance in circus artists. Therefore, this study examines mental, social, and physical health of artists in 2 circus settings (circus school, professional circus). The specific aims were to assess overall health and develop data-informed wellness screening methods in these populations, assisting referral guidelines for performance and health optimization. A comprehensive psychometrically validated battery of standardized measures was administered to 109 professional circus artists employed by Cirque du Soleil and students enrolled in the National Circus School. Compared with students, professionals reported significantly fewer problems with social isolation, fatigue, and factors that interfere with circus performance specific to shows/evaluations; they also reported greater satisfaction in their social roles and overall circus performance. Professionals also reported significantly less severe depression, and greater receipt of emotional and informational support compared with normative samples. Scores of students were similar to those of normative samples, although their scores measuring anxiety and fatigue were higher. There were no significant differences between professionals and students in perceived interferences during training, or circus-related problems with coaches and classmates/coworkers. For all participants, scores on measures of mental, social, and physical health were negatively associated with factors reported to interfere with circus performance. Participant responses to the measures were used to develop guidelines to facilitate detection of factors interfering with performance and to assist informed referrals.

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