An architect's defense of drawing as a way of thinking, even in an age of electronic media. Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself. A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing—even from a sketch, rough and inchoate—just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities. Moving from the sketch to the survey, Belardi explores the meaning of measurement in a digital era. A survey of a site should go beyond width, height, and depth; it must include two more dimensions: history and culture. Belardi shows the sterility of techniques that value metric exactitude over cultural appropriateness, arguing for an “informed drawing” that takes into consideration more than meters or feet, stone or steel. Even in the age of electronic media, Belardi writes, drawing can maintain its role as a cornerstone of architecture.
A multidisciplinary approach embedded with sustainability represents a pathway to design strategies applicable in different cultural contexts. Considering the emissions attributed to building processes, the design of conservation measures is evolving to create high performance both in terms of healthiness and safety. On this, heritage buildings in earthquake-prone cities proved their vulnerability during the recent seismic events. However, the most important aspect of restoration interventions is that the design process must respect the architectural peculiarities of the building. In this regard, the contribution presents the reuse of a heritage building, currently disused, in the novel role of University of Perugia’s plaster cast gallery, in line with the aims declared by the University with the adoption of the “Action Plan for University Sustainability 2021–2023”. Such architecture is part of Palazzo Murena, University of Perugia headquarters, a former monastery designed by Luigi Vanvitelli and completed in 1762 by Carlo Murena. A historical-iconographical investigation, together with a survey, revealed the building origin: a pre-existing architecture, anciently a hospice, included by Vanvitelli in their project. The purpose was the masonries’ reinforcement conceiving, at once, a flexible space according to the adaptive architecture principle: give to buildings configurations new, whole or in part, from the original ones in response to emerging threats. An integrated project was designed to restore the building in order to realize a contemporary museum in which full-height exhibition spaces alternate with the pre-existing ones. In this way, the new Gypso|TechA showcases the academic plasters, actually without a seat matching their cultural value, and through a peculiar layout encodes the collection’s message in a site-specific cognitive process.
From the cafés in the dreamlike square in Rimini depicted by Fellini in Amarcord to the movie theater in the village of Giancaldo depicted by Tornatore in Nuovo Cinema Paradiso, historic shops represent a rich and significant cultural heritage. The protection of historic shops is often the subject of specific dedicated regulations throughout the country, aimed at preserving their compositional identity and preventing the impoverishment of their urban image. In this context, starting from the analysis of future scenarios in the field of retail design, the proposed contribution aims to open new perspectives on the potential offered by the use of AR and AI technologies in the identity enhancement of the architectural heritage of historic shops. The idea, presented through a real case study, is that the concept of Augmented Retail can represent a strategy to achieve an Augmented Identity, changing the retail space from a 'product window' to an 'experiential theatre'.
No abstract
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.