The research results of evaluating soybean varieties by adaptability (ecological plasticity and stability) in different soil-climatic conditions have been presented considering the resistance to disease (fusarium, bacteriosis). The soybean varieties have been ranked by ecological plasticity and stability in accordance with their reaction to environmental factors. In terms of resistance to fusarium during the research period, in different ecogradients of varieties Hoverla -86,6%, Oriana -83,7% and Vezha -81,2% have revealed themselves. Higher rates of resistance to fusarium have been provided by varieties with different reactions to changes in environmental conditions. The Hoverla variety belongs to the first rank, the coefficient of ecological plasticity (bi) -0,38, that is, < 1, and the variance of stability (S²) ˃ 0. Vezha and Oriana varieties belong to the sixth rank in terms of the reaction of growing them in different ecogradients, the coefficient of ecological plasticity (bi) is 1,12 and 1,3, and the variance of stability (S²) ˃ 0. In terms of resistance to bacteriosis, soybean varieties of Hoverla -84,1%, Oriana -81,7%, Vezha -79,7 and Femida -78,6% have been noted. Varieties Oriana, Vezha and Femida belong to the highly plastic in reaction to changes in growing conditions, (bi) ˃ 1, and variety Hoverla is conservative in reaction to changes in hydrothermal and soil growing conditions (bi) < 1. Variety Hoverla has been distinguished by a slight reaction to changes in environmental conditions, providing a high stable indicator of resistance to both fusarium and bacteriosis, and varieties Oriana and Vezha to highly plastic, which respond well to improved growing conditions. However, considering the highest quantitative values of disease resistance of these varieties in different ecogradients, they belong to the adaptive ones.
In modern high-technology conditions entire process of creating, circulation and distribution of the auditory information, accumulated in phonograms, inherits integration properties that stipulate internal unity of the structure and dynamics of the phonodocumental communication. The research, performed within the framework of Document studies, Archive studies and Musical Art, dedicated to the development of the sound recording classification problem in communication area from the position of archival phonograms selection on the musical radio as a special type of service auditory documents with specific features — types of sound carriers, specifics of the fixed sound content and specifics of the service functions. The publication develops the applying of the informational approach archival radio phonodocuments that currently stay on the periphery of the research interest even comparing to other types of the tecehnotronic documents — pictorial, audiovisual, electronic information sources, different types of the technical documentation.Phonodocumental communication has features of the complicated open area. According to the author’s idea disconnected elements from the radio sector, that were organically collected together and integrated to the balanced phonodocumental communication system. The essence and the purpose of such types of the phonoduments are clarified, also the main regularities of the formation and principles of the classification were formulated. Moreover, based on the fact that radioarchives and some other cultural institutions perform functional of the music information complex repository, this article tells about music sources preservation technologies not only in the radio copmanies archives but in libraries, museums, etc. The expansion of the research field at the expense of the advanced systematization of advantages and disadvantages of the archival radiophonogram consumer format revision was begun. The research approach that was the basis for publication helps to overcome some differences including modern science and educational literature. Keywords: Archive, Audiodocuments, Music, Radio, Service,Phonogram.
A holistic historical and informational analysis was conducted in the scientific context of the synergy of two systems – sound recording and radio broadcasting. Methodological support of the study was based on the use of general scientific and special methods. Taking into account the experience of «BBC Radio 1» in creating a unique collection of sound recordings and areas of use of music collections as objects of archival storage, the features of recording music sessions in recording studios of radio stations are revealed. The main methods of restoration, restoration and digitization of stock music phonograms of radio broadcasting subjects are revealed. Find out which software products perform digitization tasks. The author concludes that the basis for the protection and storage of music collections of radio archives is the organization of a system of backup and duplication of data.
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