This research is an of intralingual typology in the form of a numeral classifier in Balinese. The main theory used in this research was the theory of classifier proposed by Aikhenvald (2000). The data was collected by the observation method. Meanwhile, the data were analyzed by grouping the obtained data into the types of numeral classifier proposed by Aikenvald (2000) and Lyons (1977). Based on the result of data analysis, there are types of numeral classifiers of the Balinese, namely the individual, the size, the volume, and the hour numeral classifier. The individual classifier used for count individual object which consisting of bidang, bungkul, ijas, tukel, ukud. The size of a numeral classifier can be stated with fingers and a human hand. The volume numeral classifier used for unit mass measurement, such as catu, cééng, and céntong. The hour numeral classifier used for to stated dauh ‘hours’, which consisting of dauh pisan, dauh ro, dauh tiga.
<p><em>Geguritan Nengah Jimbaran as a material object in this study is a traditional Balinese literary work written by Cokorda Mantuk Ring Rana. This study uses a qualitative approach that focuses on finding the meanings of religious moderation in the Geguritan Nengah Jimbaran text. The hermeneutic method is applied to understand and interpret the meaning and intention of Cokorda Mantuk Ring Rana in his writing. Based on the analysis carried out at Geguritan Nengah Jimbaran, it shows Balinese people are indeed dominated by Hindus but they have a great tolerance and can live harmoniously side by side among different faith during the reign of Cokorda Mantuk Ring Rana. It can be concluded that religious tolerance as one of the spirits of religious moderation has long been present and has become a habit of Balinese people today.</em></p>
<p><span lang="EN-IN">This study aims to describe the morphophonemic process that occurs as a result of the affixing process. The theory used in this research is the theory of Generative Morphology and Phonology (Schane, 1992). The results of this study indicate; (1) there is a change in sound that produces a new sound due to the meeting of two different morphemes, such as: nasal /ŋ/ becomes a homogeneous sound with preexisting obstruent sounds, such as [p, b, d, t, c , j, s, k, g] and changes in vowel sounds in the affixation process, such as changes in vowels [a, u] turning into vowels [o], [a, i] turning into vowels [e]; (2) there are additional sounds caused by the meeting of two different morphemes, such as the addition of sounds [n, y, w, l, k, t].</span></p>
Yoga sastra dikatakan jalan yang dipilih pengarang kekawin untuk menemukan jalan kemanunggalan dengan Semesta melalui karyanya. Beberapa kekawin digunakan dalam penelitian ini yakni Kekawin Dharma Sawita, Dharma Wimala, Dharma Niskala, Dharma Sunya, Dharma Putus, Smaradahana, dan juga Kidung Jayendrya. Fokus tulisan ini untuk mengungkapkan bentuk, fungsi, dan makna yoga sastra dalam kekawin. Teori yang digunakan untuk menginterpretasi teks adalah teori semiotika dari Pierce sementara teori rasa dari Sharma digunakan untuk menganalisis kedalaman pengalaman estetik dalam karya sastra Kawi. Sehingga menghasilkan temuan berupa yoga sastra sebagai jalan manunggal pengarang dengan pencipta melalui proses kreatif karang mengarang karya sastra.
Anggawasta (Author), the Universe, and the Creator are the author's methods in Kekawin Dharma Niskala to get unification with the universe through his work. Anggawasta is the term to use represent author in the Kekawin Dharma Niskala. The focus of this research is to reveal the form, function, meaning, and position of the author in text. Pierce's semiotic theory is used to interpret the signs in the kekawin.
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