Purpose: This article explores the possibilities of incorporating such visual methods as photoelicitation and photovoice into qualitative research in order to retrieve something that, as a result of particular group socialisation, has been hidden, unspoken of or marginalised.Design/methodology/approach: The research design combines 40 in-depth verbal interviews with male butchers with the use of photoelicitation and photovoice in order to increase participants' control of data generation.
In this paper we seek to explore the concept of the 'new' through enquiring into the role of the body, thus opening categories that may allow a sensing of the affective 'new' in organizing processes. We use various theoretical concepts such as 'repetition' and 'habitual appropriation' to look at modern dance. We aim to show how the investigation of embodied processes allows us to make links between the old and the new, the creative and the unimaginative, and ultimately may help us to generate an infinite array of creative practices. odern dance might seem like an unusual choice for an analogous model, but it allows us to re-evaluate a number of dimensions in the relationship between the body and organization. Our attention to the dance movement -as well as attention to the actual movement of the natural worldcan together indicate a provisionally new 'world view' (Bohm, 2004, p. 90) that argues for the primacy of practical over reflective forms of being:
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