2012
DOI: 10.1108/17465641211223447
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Lessons from photoelicitation: encouraging working men to speak

Abstract: Purpose: This article explores the possibilities of incorporating such visual methods as photoelicitation and photovoice into qualitative research in order to retrieve something that, as a result of particular group socialisation, has been hidden, unspoken of or marginalised.Design/methodology/approach: The research design combines 40 in-depth verbal interviews with male butchers with the use of photoelicitation and photovoice in order to increase participants' control of data generation.

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Cited by 57 publications
(50 citation statements)
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“…She argues that the use of photography for her research purposes offers a more 'sensually complete' methodology, helping participants express their aesthetic experiences regarding their relationships with the physical surroundings in an office environment. In a similar vein, Slutskaya, Simpson, and Hughes (2012) use photo elicitation in a research project on working class men who perform work that is commonly seen as distasteful and/or degrading. Conducting 40 in-depth interviews with male butchers about their 'dirty' work on the basis of self-taken photographs, they argue that participant-led photography is particularly useful in contexts where participants consider themselves "non-emotional and self-restrained" (Slutskaya et al, 2012: 20) and, thus, makes possible more expressive and detailed accounts of daily work.…”
Section: Visual Artifacts As a Form Of 'Communication' Between Researmentioning
confidence: 99%
See 1 more Smart Citation
“…She argues that the use of photography for her research purposes offers a more 'sensually complete' methodology, helping participants express their aesthetic experiences regarding their relationships with the physical surroundings in an office environment. In a similar vein, Slutskaya, Simpson, and Hughes (2012) use photo elicitation in a research project on working class men who perform work that is commonly seen as distasteful and/or degrading. Conducting 40 in-depth interviews with male butchers about their 'dirty' work on the basis of self-taken photographs, they argue that participant-led photography is particularly useful in contexts where participants consider themselves "non-emotional and self-restrained" (Slutskaya et al, 2012: 20) and, thus, makes possible more expressive and detailed accounts of daily work.…”
Section: Visual Artifacts As a Form Of 'Communication' Between Researmentioning
confidence: 99%
“…It is contended that visual artifacts used in interviews evoke deeper elements of human consciousness than do words (Harper, 2002) -as well as a broad range of emotions. Photographs, images, and drawings may also help participants to express themselves when verbal discussion of a topic is uncomfortable (e.g., Slutskaya et al, 2012), culturally restricted (e.g., , or interviewees are less capable of verbal articulation. In addition, inviting participants to select or create their own visuals signals trust and lowers the power-distance between researcher and participant and grants participants more 'voice' in the overall research process .…”
Section: Visual Artifacts As a Form Of 'Communication' Between Researmentioning
confidence: 99%
“…The domestic worker may be socially tainted through their servile relationship to clients and employers (Bosmans et al 2016). The work of butchers (Meara 1974;Slutskaya et al 2012), funeral directors (Thompson 1991) and (as considered below) garbage workers may result in physical taint as a consequence of contamination from or association with effluence, grime or death. In each case, the proximity of the worker to dirt makes interaction with them undesirable in the mind of the public.…”
Section: Dignity and Taint In A Dirty Contextmentioning
confidence: 99%
“…Slutskaya, Simpson, and Hughes (2012) note that this is commensurate with the visual taking on a previously unmatched cultural centrality in modern societies. Indeed, as Slutskaya, Simpson, and Hughes (2012, 17) point out, such primacy affords visual representation a 'central role in promoting and facilitating the formation, reflection and inflection of what we "take for granted" about the world'.…”
Section: The Value Of Visual Representationmentioning
confidence: 87%