This research paper attempts to explore the novel, Wuthering Heights, through the lens of Eco criticism and it explores the relationship between human and nature in the novel. Literature can be perceived as an aesthetically and culturally constructed part of the environment, since it directly addresses the questions of human constructions, such as meaning, value, language, and imagination, which can, then, be linked to the problem of ecological consciousness that humans need to attain.Consciousness raising in environmental thinking, and the ethical and aesthetic dilemmas posed by the global ecological crisis. The task of ecocriticism, is to express a conceptual foundation for the study of interconnections between literature and the environment. Through An Eco criticism viewpoint the researcher would like to discuss about the emotional and physical of characters Get along nature as essential for building development-based novel of ecological self.
This paper focuses on Postmodernism Aspects in Lens of Baudrillard Theory in the novels DeLillo’s white noise and Atwood `s Handmaid’s tale. To consider the United States as our case study, we know that the affluence and waste are quite related to each other. In a way that we might count it as a throwaway society or garbage can sociology like how Baudrillard has put in words. We are cognizant of the fact that all moralists have criticized the lavishing of wealth. An individual who does not comply with the moral law regarding the internal use-value of commodities. The mystification of the commonplace in White Noise can be interpreted as a revolt towards Modernism, which equated rationalization with an increased and general knowledge of the condition under which one lives, i.e., the belief that there are no mysterious incalculable forces that come into play. Modernism located the romantic idea of mystery, of the unknown, geographically, in faraway places like Africa or America. The Handmaid's Tale suggests a particularly postmodern feminist space for resistance a space located within the discourses of the symbolic order including technologically produced and disseminated discourses) rather than in opposition to them.
This paper traces Foucault’s notion of power in Kate Chopin’s The Awakening. The writers bring into the light, different aspects of a woman’s position in the society of late nineteenth-century America. Paper looks at private and social conditions of women, using Foucault’s ideology of power, and discuss the reactions of Chopin’s protagonist in relation to her actions towards the workings of power in her life. With a close analysis of the novel based on Foucault’s ideology of power, researchers discuss the workings of power in the protagonist’s married and social life, including her efforts to set herself free from this power and her process of resistance analyzed according to Foucault’s theory. The research comes to the conclusion that the impossibility of acting outside power, the possibility of resisting power from within and Foucault’s “Care of the self” as the only way to traverse the power-defined failed of possible actions. Paper shows that, Chopin’s protagonist does not resist patriarchy based on Foucault’s methods and her actions towards power do not lead to any effective ending.
The research examines two epics, one from the East and one from the West with regards to the question of woman and her images in early epic literature. The epics were selected from the literature. The epics were selected from the literature of two cultures, both of which, in different historical periods produced the most advanced civilizations of their time. The Persian epic, The Shahnameh (the book of Kings) was tooted in the ancient Indo-Iranian pagan as well as Zoroastrian traditions, an epic of approximately 60,000 couplets rewritten in the tenth century A. D. in the final, completed from which has reached us today. The Greek exemplar was the odyssey of Homer, epic with which Greek literature begins and widely influences not only the later periods of Greek literature but also the entire Western literature; this epic is also widely known in the East. Central to our study of The Shahnameh and Homeric epics were the themes of dynamism, the individuality of characters and their struggles in the epic world, the resourcefulness of the human mind ascribed to them, the subject of human crises, and irony, all of which are deep-seated components marking the central literary qualities of these epics. Women are indispensable in the early epics of both traditions and more often than not highly regarded by epic heroes in general and the narrators of the stories in particular. In both Eastern and Western example the structure split the female image in two opposite directions: one force is represented by exalted, praiseworthy, and positive images which also endow the women of The Shahnameh and the Homeric poems with powerful characteristics.
This paper aims to compare interior monologue which is a modern technique in three selected novels. Comparing Houshang Golshiri’s Shazdeh Ehtejab with Virginia Woolf’s Mrs. Dalloway and To the Lighthouse. Golshiri has made use of both direct and indirect interior monologues in his master piece, Shazdeh Ehtejab. An early example in Persian fiction which has a great emphasis on form and techniques of narrating the story. The present study will examine, in detail the creation of interior monologue through the minds of characters with reference to Golshiri’s Shazdeh Ehtejab and Virginia Woolf’s two selected novels, Mrs. Dalloway and To the Lighthouse. Focusing on the narrative techniques used by these two modernist writers and deals with illustrations from the novel and its explanations. The aim of this study is to show how Golshiri and Woolf try to move deeply into the character’s consciousness. They use the narrative technique, Interior Monologue, in their novels that deals with the flow of ideas, thoughts, feelings, and sensation.
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