Abstract. The revolution of media technology offers artists a lot of possibilities to create different art forms. The artist explored and manipulated different media to give different impact in their works since modernism and post modernism period. Malaysia as one of Asian country also committed to art development where artist explore various media in painting including conventional and technological media as well. Digital technology and art movement were developed in two separate segments. In fact, new media art does not establish in art history plot. Therefore, the word digital painting poses an ambiguity to describe its status. The convergence of scientific term and art term called digital painting will be discussed into two sections under conceptual issues and technical issues. In conceptual issues, digital painting will be linked to the ingredient and components of art including the artist, the form, the audience and its surrounding, the subject, and the content. This paper will also discuss what is behind digital painting which includes some technical issues including concept of digital image, the hardware and the software. This paper will confer some Malaysian digital paintings situation and scenario. Subsequently, it summarizes the core elements in digital painting to be implemented in further studies.
ABSTRAKMalaysia ditargetkan untuk menjadi sebuah negara maju pada tahun 2020. Makalah ini bertujuan untuk menanamkan sebuab ideologi bahwa kriya adalah sebuah penciptaan seni tinggi yang berkenaan dengan hasil yang bermakna, penuh kehati2an, dan kecerdasan. Untuk membangun sebuah kerangka seni dan kriya yang inklusif, paper ini meninjau perkembangan kriya dan seni di Malaysia. Diskusi epistimologis tentang definisi seni dan kriya sebagai elemen2 yang bisa memastikan keberhasilan industri kreatif. Kombinasi seni, kriya, dan estetika melayu menyediakan lebih banyak petunjuk tentang bagamana idustri kreatif seharusnya dibangun. Terlebih lagi, beberapa inisiatif dari Malaysia dipresentasikan untuk menggambarkan bagamana Malaysia mengelola negara menyonsong tahun 2050. Industri-industri kreatif di Malaysia memiliki potensi yang sangat tinggi untuk dikembangkan dan harus didukung oleh baik pemerintah maupun sektor swasta. Peneliti percaya bahwa kolaborasi aktif dan dinamis, eksplorasi media baru, kerjasama antar disiplin ilmu dan inovasi akan menjadi isu2 penting untuk dipikirkan dalam pengembangan seni dan kriya dalam era industri kreatif.Kata Kunci: seni, kerajinan, industri kreatif ABSTRACT Malaysia is targeted to become a developed county in the year 2020. This paper aims to establish an ideology that craft is a high art creation that deals with intellectual, careful and meaningful output. In order to develop an inclusive framework about art and craft, this paper reviews the development of craft and art in Malaysia. The epistemological discussion on the definition of art and craft will offer a fresh spectacle on art and craft as elements that can ensure the success of the creative industry. The combination of art, craft and Malay aesthetics provides more clues on how the creative industry can go about. In addition, several initiatives from Malaysia are presented due to illustrate how Malaysia engineered the country towards 2050. Creative industries in Malaysia have a very high potential to be developed and should supported by the government as well as the private sector. This researcher believes that active and dynamic collaboration, new media exploration, cross discipline and innovation will be the crucial issues to be considered in the development of art and craft in the era of creative industry.
The emphasis on innovation as part of a super-smart society has forced education structure to STREAM components involving science, technology, religion, engineering, art, and mathematics. In art, creation processes as evidence is also to find out solutions on how to establish art component at par with science, technology, religion, engineering, and math as well as put Malaysian art and innovation up to international standards by using new media art. The gap between all STREAM components has forced nations worldwide including Malaysia to review several doctrines in order that to be in the right track and remain competitive globally. This paper looks into two major areas that mapped and linked together in order to cultivate creativity among visual art student.
There have been various research studies in Islamic art and Muslim art; however, the specific research on visual art from the perspective of Islamic law and principles (Shariah) through the usage of subject and style in visual art based on the Malaysian context is limited. Thus, this paper aims to review the existing Islamic fatwas and guidelines pertaining to the usage of subject and style in visual art and to identify the gap in visual art from the Islamic view-point research. The result shows that there are several deficiencies which could be discovered by researchers: 1) visual art should be seen from the various types of subject (“the living” such as humans and animals; the “non-livings” which are nature and man-made; and hybrid images) and style (representational, stylization and abstraction); 2) based on the discussion of visual art ambiance, the new Islamic viewpoint should be obtained from the Malaysian Islamic Shariah’s experts and later, discussed. Recommendation is given by using the qualitative approach for conducting further researches in this field of study.
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