The present article takes under scrutiny news discourse along with the dialectics between the universal journalistic norms and culture-specific determinants. Following van Leeuwen’s (2011) view that notions of genre, discourse and style, though distinct, are very much interrelated, news discourse, understood as both process and product, is discussed here together with hard news reporting genre and styles. The underlying theoretical assumption is that the concept of news in its totality is, by definition, highly contingent on “journalistic work on distance” in its various dimensions (temporal, spatial, epistemic, axiological, and emotional), referred to as “proximization process”. “Proximization strategies”, which are intended to bring the reality represented cognitively and affectively closer to the audiences, on the one hand rely on some universal cognitive mechanisms, but on the other hand are context-sensitive, that is culture-bound and ideologically motivated. The data used to illustrate this process comes from the local and international coverage of post-election violence in Kenya in 2007–2008.
Framed within cognitive linguistics, Critical Metaphor Analysis and social psychology, the present paper explores the dynamics of the online construction of the Other in the context of migration and current refugee crisis. Thematically, it scrutinizes online refugee- and migrant-related mainstream and social media discourses in two European countries, Cyprus and Poland, in 2015–2016. On the theoretical and methodological level, it looks at the constituted and constitutive nature of metaphorical conceptualisations of migrants/refugees, their axiological and emotional potential for threat construction, and thus impact on possible cognitive-affective attitudes of the host countries’ citizens. It is theorized here, in line with Conceptual Metaphor Theory, that the choices of particular metaphors and their frequency of usage are likely to influence the salience of issues among the public, activate certain moral evaluations and generate fear, thereby creating grounds for verbal and physical aggression targeted at the Other. The paper addresses the following questions: 1) How is the Other conceptualised as a THREAT in both physical and symbolic sense? 2) To what extent are particular metaphorical conceptualisations within the representation of migrants and refugees common to corpora from both countries and/or socio-cultural context dependent? 3) How can metaphors, including dehumanization, serve as a springboard for individual acts of prejudice, as well as systematic discrimination, and violence? The analysed data was collected within the European project C.O.N.T.A.C.T., exploring various aspects of hate speech and hate crime in ten EU countries.
The article focuses on Enoch Powell’s “Rivers of Blood” speech and its recontextualisation 50 years later in view of the rising anti-immigration sentiment and Brexit campaign. Having discussed the dynamics of the threat construction process and its role in shaping public attitudes to migration and policies related to it across time and space, we proceed to analyse Powell’s speech in terms of lexical, grammatical, and discursive fear-inciting devices and strategies. While doing so we draw on the insights from neuroscientific research on the role of lexis in fear stimulation and functional-cognitive models of grammatical structure. The second part of our analysis is meant to demonstrate how the semiotic potential of cyberspace and social media, along with multimodal integration of various forms, intertextuality, and interdiscursivity they enable, endow fear-inciting discourse with new spatiotemporal and affective qualities. To this end we examine one of the most popular YouTube videos making “Rivers of Blood” speech part of its anti-immigration stance.
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