PurposeThe purpose of this article is to illuminate the relations of work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and barriers and needs of vulnerable customers (VC) in order to explore possibilities to increase cultural participation of VC.Design/methodology/approachThis article explores work-related practices of managers of live music events in OWL and asks if and to what extent these practices have an influence on the cultural participation of “vulnerable customers” (VC). It combines the findings of two studies: a) an explorative investigation on the work-related self-conceptions of managers of live music events in OWL (Study 1), and b) a sub-project on cultural participation of VC, which is part of the research project “kulturPreis. Increasing cultural participation through innovative and economically sustainable pricing concepts”, funded by the German Federal Ministry of Education and Research (Study 2).FindingsIt can be stated that there is an imbalance of knowledge: while VC tend to have a clear understanding of which barriers are the responsibility of managers of live music events, managers tend to lack knowledge regarding the needs of VC, and regarding the interrelationships between financial and social barriers facing them. Whether this knowledge and understanding can be developed in the future depends on the possibilities of exchanges between managers of live music events, cultural institutions, welfare organisations, political institutions and not least VC.Originality/valueBased on these studies, this article combines different approaches by linking work-related practices of managers of live music events with cultural participation of VC.

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Im Artikel "Grenzgang: Wo hören Kunst- und Meinungsfreiheit auf und wo fängt Diskriminierung an? Das Druckwellen-Publikum fragt nach" rekapitulieren die Autorinnen Ina Heinrich und Maryam Momen Pour Tafreshi die zentralen Themen der Veranstaltungsreihe Druckwellen. Fühlen und Denken in Anlehnung an die während der Veranstaltungen gestellten Publikumsfragen. So geht es um die fortwährenden Aushandlungsprozesse zwischen Meinungsfreiheit und Meinungsmache, Kunstfreiheit und Diskriminierung und um die Frage wie derlei politische Diskurse durch die Echokammern (sozialer) Medien verstärkt werden.

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