For transgender, transsexual, genderqueer, and gender nonconforming people, emergent media technologies offer new outlets for self-representation, outlets that often last for only a brief moment. This article examines trans culture on the website Tumblr during the period from March 2011, when the authors began researching the platform, to May 2013, when Yahoo! paid creator David Karp over a billion dollars for the site. Through auto-ethnographic dialogue about the loose social networks within Tumblr to which the authors contributed during this phase, the article explores ephemeral aspects of self-representation at the intersection of postmodern art practice, sexual politics, and queer subjectivities. From at least 2011 to 2013, people collectively oriented in opposition to dominant discourses of gender and sexuality used Tumblr to refashion straight cisgender norms and to create everyday art in a hybrid media space.
This paper will examine Choir Boy (2005), a trans coming-of-age novel by Charlie Anders, to disrupt historically rooted medical narratives of gender transition. Through a disability studies lens, this paper locates vocal performance as a means of speaking back to gatekeeping practices held in place by medical authorities since the inception of transsexuality as a classificatory category. Offering imaginative alternatives to "wrong body" diagnostics, this analysis places cultural texts in conversation with disability theory to reframe the trans self as a singing body that cannot be reduced to normalizing biomedical practices. Choir Boy frames vocal performance as a mode of gender expression and as a survival strategy against violence. The trans counter-narratives offered by Anders resist the medicalization of trans bodies and the classification of some bodies as not "trans enough" to qualify for transition. Choir Boy locates vocal performance and not binary gender identification as impetus for transition, thereby advocating for trans self-determination over medical access.
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