In vitro meat (IVM), also known as cultured meat, involves growing cells into muscle tissue to be eaten as food. The technology had its most high-profile moment in 2013 when a cultured burger was cooked and tasted in a press conference. Images of the burger featured in the international media and were circulated across the Internet. These images—literally marks on a two-dimensional surface—do important work in establishing what IVM is and what it can do. A combination of visual semiotics and narrative analysis shows that images of IVM afford readings of their story that are co-created by the viewer. Before the cultured burger, during 2011, images of IVM fell into four distinct categories: cell images, tissue images, flowcharts, and meat in a dish images. The narrative infrastructure of each image type affords different interpretations of what IVM can accomplish and what it is. The 2013 cultured burger images both draw upon and depart from these image types in an attempt to present IVM as a normal food stuff, and as ‘matter in place’ when placed on the plate. The analysis of individual images and the collection of images about a certain object or subject—known as the imagescape—is a productive approach to understanding the ontology and promise of IVM and is applicable to other areas of social life.
The past 10 years has seen an explosion of interest for the area of science and technology labelled "nanotechnology." Although at an early stage, nanotechnology is providing a space for the creation of new alliances and the forging of new ties in many actor arenas, initiated based on promises and high expectations of the fruits that could be harvested from development and investment into nanotechnology. Those trying to characterise the dynamics of emerging ties and networks within this field are faced with a number of complexities which are characteristic of the nanotechnology umbrella term, which covers many technologies, various mixes of disciplines and actors, and ongoing debates about definitions of fields and terminology.In this paper we explore an approach for capturing dynamics of emergence of a particular area of nanotechnology by investigating visions of possible futures in relation to molecular mechanical systems (molecular machines). The focus of this text is to outline an approach used to map and analyse visions in an emerging field by taking as the unit of analysis linkages made in statements in texts, and the agglomeration of linkages around certain nodes. Taking the linkage, rather than node, allows one to probe deeper into the dynamics of emergence at early stages when definitions and meanings of certain words/nodes are in flux and patterns of their use change dramatically over short periods of time.As part of a larger project on single and macromolecular machines we explore the dynamics of visions in the field of molecular machines with the eventual aim to elucidate the shaping strength of visions within nanotechnology. D. K. R. ROBINSON et al.: The evolution of new and emerging S&T 832Scientometrics 70 (2007)
Images, ranging from visualizations of the nanoscale to future visions, abound within and beyond the world of nanotechnology. Rather than the contrast between imaging, i.e. creating images that are understood as offering a view on what is out there, and imagining, i.e. creating images offering impressions of how the nanoscale could look like and images presenting visions of worlds that might be realized, it is the entanglement between imaging and imagining which is the key to understanding what images do. Three main arenas of entanglement of imag(in)ing and the tensions involved are discussed: production practices and use of visualizations of the nanoscale; imag(in)ing the future and the present; and entanglements of nanoscience and art. In these three arenas one sees struggles about which images might stand for nanotechnology, but also some stabilization of the entanglement of imag(in)ing, for example in established rules in the practices of visualizing the nanoscale. Three images have become iconic, through the combination of their wide reception and further circulation. All three, the IBM logo, the Foresight Institute’s Nanogear image, and the so-called Nanolouse, depict actual or imagined technoscientific objects and are thus seen as representing technoscientific achievements – while marking out territory.
How does one know what is the right way to visualize the invisible nanoscale? Practices in the visualization processes are studied by moving about in the fi eld of nanoscience/technology. Nine important aspects of visualization processes have identified. Based on nanoscientists’ responses to a small survey, it is argued that some of these aspects–preparatory techniques–which link up to the experimenter’s and visualization regress, are invisible to nanoscientists. Here tacit rules are followed in the production process of visualizations. This contrasts with presentational aspects where nanoscientists are faced with choices, and have to discuss and defend them. Here it is still impossible to follow tacit rules. These presentational aspects might also be closed down in further development of nanotechnology. The paper asks whether it might be important to keep choices visible.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.