Abstract-The article deals with the philosophical interpretation of the tendencies taking place in contemporary art. The author shows that the main aesthetic category of contemporary art is the category of novelty.Keywords-Contemporary art; postmodern; the category of novelty; scandal as an aesthetic category
The main purpose of this article is to show that the paradigm of viewing the 'hard problem' of consciousness in analytic philosophy makes it a pseudo-problem rather than a 'hard problem'. The objectives of this research included showing the reasons for the authors' thesis, demonstrating the irreducibility of consciousness as a special layer of reality, and proposing a way to overcome these difficulties. * The publication was prepared with the support of the "RUDN University Program 5-100".
Abstract-The article deals with the relationship between the artistic and the commercial value of art. The author shows the evolution of aesthetic consciousness, arguing that the artistic value of a work of art was directly connected with the work of a genius until the end of the 19th century. The commercial value of art arises with the appearing art market in the middle of the 19th century, which becomes the main way of regulating artistic life.Keywords-art market; artistic value of a work of art; commercial value; antinomy
This article deals with the analysis of neo-mythological and pantheistic subjects in the works of Friedrich Nietzsche and Knut Hamsun. The analytical comparison of Nietzsche’s philosophical concepts and Hamsun’s literary psychologism is poised to find an underlying understanding of human nature at the confluence of ethics and aesthetics - of goods and beauty, of evil and ugly. A precise definition of the aesthetic categories “Apollonian” and “Dionysian” is carried out based on Nietzsche’s work “The Birth of Tragedy from the Spirit of Music”. The relevance of the Dionysian culture’s phenomena is based on the Nietzschean belief in an Übermensch within the modern mindset. The concept of “Dionysus” finds its continuation in the postmodern philosophy of Georges Bataille and Maurice Blanchot, in such archaic emotional and aesthetic aspects of human essence as violence and sacrifice understood in an extremely abstract sense. The authors stress that modern culture’s interest in violence and sacrifice is rooted in Nietzsche’s idea of Dionysius in the meaning of one of the beginnings of any segment of European culture. The foundations for overcoming postmodernism in the 21st century and the subsequent development of aesthetic views can be found in an attempt to revise the foundation of European culture through rethinking the concept of Übermensch-Zarathustra-Dionysus.
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