Art in the Era of Postmodernism

Matyushova, Maria

doi:10.2991/icadce-17.2017.14

Cited by 2 publications

(1 citation statement)

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“…Big part of this is played at the same time by the scandal associated with the name of the artist. Scandal is an external factor that forces people to pay attention to some artwork that draws their attention [5].…”

Section: Scandal As a Means Of Self-expressionmentioning

confidence: 99%

Axiological Bases of the Modern Art

Matyushova¹

2019

Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)

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This article deals with the essence and the basic directions in modern culture. The author considers that culture has initially two lines in development. The main line, connected with an instinct of self-preservation of the mankind, directed on creation and the creativity. This line limits instinctive behavior of the person. The second deviant line, connected with destruction, nihilism and nothing the limited freedom. The author connects occurrence of this line in development of culture, first of all, with fundamental change of public consciousness, crash of traditional values, and development of technical progress, occurrence of a mass society and with the statement in a society of some democratic principles which have been automatically transferred on creativity. So, introduction of a principle of equality in a society, and declaration of absolute freedom in creativity, finally, has generated equality in art when everyone can become the artist if it is accompanied with advertising and money. Keywords-axiological bases; deviance; main and deviant lines of historical and cultural development; absolutization of self-expression; quasi art; aestheticization of ugly I.

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Section: Scandal As a Means Of Self-expressionmentioning

confidence: 99%

Axiological Bases of the Modern Art

Matyushova¹

2019

Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)

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On the Possibility of a Synthesis of Secular and Religious Values in the Context of Modern Humanitarian Knowledge

Chistyakova¹

2017

Proceedings of 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017)

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In the sphere of Russian humanitarian knowledge, there is a tradition of separating the secular and religious education. The author substantiates that the spiritual and cultural basis of the modern Russian society should be based on universal human values, as well as on centuries-old heritage of the national culture. Orthodox Patristics discourse is derived as a possible model for a kind of Russia's spiritual Renaissance and as the basis of the Russian humanitarian education. The article represents the author's position in consideration of the secular and religious (Christian) norms of morality from the point of view of their unity, significance for both churched and unchurched people. The ideas and concepts of Eastern Patristics are justified by the author as universal spiritual values, ideals, that in the modern world should be the object of not only theological or philosophical reflection, but also be a part of a general humanitarian education.

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Art in the Era of Postmodernism

Cited by 2 publications

References 1 publication

Axiological Bases of the Modern Art

Axiological Bases of the Modern Art

On the Possibility of a Synthesis of Secular and Religious Values in the Context of Modern Humanitarian Knowledge

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