In the current study, the influence of the physical context and the knowledge of artworks on the aesthetic experience of installation art is tested for the first time. We assessed non-experts in the field of art (N = 158) who viewed interactive installations in either the art gallery context or the classroom. Some participants knew both the artworks' titles and the curator descriptions, some knew only the titles, and some had no contextual information. We tested both the aesthetic emotions and the aesthetic judgments. For the measurement of aesthetic emotions, we used the Self-Assessment Manikin approach including the traditional dimensions of affect and the measurement of recently-proposed dimensions such as origin or subjective significance. The study replicated previous findings that the gallery context enhances the aesthetic experienceboth of art appreciation and aesthetic emotions. Moreover, our results showed that the emotions caused by viewing the installation in the gallery had more of an automatic source (metaphorically coming Bfrom the heart^) and were more subjectively significant than aesthetic emotions experienced in the classroom context. Curatorial information increased the understanding and appreciation of the works of installation art, and also caused the aesthetic emotion to be more positive and more intensive; while having knowledge about the titles did not influence the aesthetic experience.
The current study investigated adults’ spatial-scaling abilities using a haptic localization task. As a first aim, we examined the strategies used to solve this haptic task. Secondly, we explored whether irrelevant visual information influenced adults’ spatial-scaling performance. Thirty-two adults were asked to locate targets as presented in maps on a larger or same-sized referent space. Maps varied in size in accordance with different scaling factors (1:4, 1:2, 1:1), whereas the referent space was constant in size throughout the experimental session. The availability of irrelevant, non-informative vision was manipulated by blindfolding half of the participants prior to the experiment (condition without non-informative vision), whereas the other half were able to see their surroundings with the stimuli being hidden behind a curtain (condition with non-informative vision). Analyses with absolute errors (after correcting for reversal errors) as the dependent variable revealed a significant interaction of the scaling factor and non-informative vision condition. Adults in the blindfolded condition showed constant errors and response times irrespective of scaling factor. Such a response pattern indicates the usage of relative strategies. Adults in the curtain condition showed a linear increase in errors with higher scaling factors, whereas their response times remained constant. This pattern of results supports the usage of absolute strategies or mental transformation strategies. Overall, our results indicate different scaling strategies depending on the availability of non-informative vision, highlighting the strong influence of (even irrelevant) vision on adults’ haptic processing.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.