Currently, there still exist barriers that prevent a satisfactory connection between music education and the visually impaired population. This is due to the teachers' lack of preparation and their general ignorance of the functioning of the Braille music system, the materials, specialist support, and other tools needed for the inclusion of this type of students in the classroom. In order to familiarize the educational community with the resources and specialist support involved in inclusive music teaching, we conducted and analysed semi-structured interviews with the following persons: (1) the music specialists at the Organización Nacional de Ciegos Españoles Resource Centre (Spanish National Organization of the Blind); (2) a music teacher who had two visually impaired students in her classes; and (3) a blind student who studied music and had specialized in piano performance. The contributions made by this article consist of the categorization of the different teaching-learning resources involved in inclusion, information on how specialist support can be provided to facilitate these resources, and the relationships between resources and specialist support taking into account the point of view of teacher as the main figure responsible for inclusion in the music classroom.
Resumen. Este artículo estudia el impacto de la educación musical cursada en las enseñanzas obligatorias a partir de una revisión de la literatura académica existente. La búsqueda en bases de datos especializadas proporcionó un total de 25 artículos publicados durante el periodo 2005 -2016. Tras analizarlos se establecieron dos categorías de impacto: DENTRO, en relación con la propia disciplina y FUERA, con implicaciones más allá de la disciplina. Buena parte de las publicaciones analizadas contemplaron el impacto de acuerdo con temáticas que sobrepasan lo que es estrictamente la educación musical obligatoria abarcando aspectos personales, intelectuales y/o sociales. En consecuencia, se presenta una conceptualización de impacto en educación musical que va más allá de los aspectos mensurables asociados a las políticas educativas de reforma. Palabras clave: Impacto; educación musical; revisión de literatura; sociedad.[en] Impact of Music Education: a Review of the Scientific Literatura Abstract. This paper examines the impact of school music education through an academic literature review. The search in specialized databases provided a total of 25 papers published during 2005 -2016. The analysis revealed two categories in relation to impact: IN, that included those issues within the discipline, and OUT, with implications beyond it. Many of the analysed publications considered the impact based on topics that go beyond what strictly school music education is, including personal, intellectual and/or social aspects. This study presents a conceptualization of impact on music education that surpasses the measurable aspects associated with educational policy reforms. Keywords: Impact; music education; literature review; society. Este artículo es parte del proyecto de investigación I+D EDU2014-58066-P sobre El impacto de la educación musical en la sociedad y en la economía del conocimiento, financiado por el Ministerio de Economía y Competitividad del Gobierno de España. Sumario
S ongs are part of the teaching-learning processes of the language. However, music can contribute much more, in line with the proposals of the European Music Portfolio project: A Creative Way into Languages (EMP-L). In this article, placing ourselves in the shared space between music and language, we present three illustrative activities of linguistic work that can be developed from music. Finally, we defend the importance of looking for teaching-learning formulas that integrate different types of languages, in a holistic, vivid, and motivating concept of the curriculum. L Les cançons formen part dels processos d' ensenyamentaprenentatge de la llengua. Amb tot, la música pot aportar molt més, en la línia de les propostes del projecte European Music Portfolio: A Creative Way into Languages (EMP-L). En aquest article, situant-nos en l' espai compartit entre música i llengua, presentem tres activitats il•lustratives del treball lingüístic que es pot desenvolupar a partir de la música. Finalment, defensem la importància de buscar fórmules d' ensenyament-aprenentatge que integrin els diversos tipus de llenguatges, dins d'una concepció holística, vivencial i motivadora del currículum.
The relationship between music and mathematics has often been the subject of discussion, both inside and outside the field of education. As part of an exciting project on a European scale, the paper explores the changing contexts in Catalonia (Spain) and England (UK) in relation to the integrated approach to the teaching of music and mathematics. We analyse three areas: academic literature, the curriculum frameworks, and publications and resources prepared by and for teachers. Our findings suggest that due to the more favourable attitude towards cross-curricular approaches in education, more progress has been made in England, in terms of developing resources to support an integrated approach to the teaching of music and mathematics, than in Catalonia. Nonetheless, teachers in both locations are very interested in developing these approaches. Although there is a need for further teacher training and support, there is evidence of progress already being made in schools.
This work explores the study of interaction through discourse as a means for analysing and understanding the process of teaching and learning music. Over the course of a didactic sequence, we assess classroom conversations dealing with the analysis of a music score constituted as the reference for the process of creating a joint music composition. The group is made up of a teacher and second-year elementary pupils (aged 9-10 years) at a music school. Eight categories of discourse are identified that help to understand the strategies used to construct shared musical meanings. This knowledge is important for practitioners when reflecting on the teaching-learning process. It is also useful for teacher training.Resume Ce travail explore l'étude de l'interaction à travers le discours comme moyen d'analyser et de comprendre le processus d'enseignement-apprentissage de la musique. Nous avons analysé, au cours d'une séquence didactique, des conversations en classe portant sur l'analyse d'une partition qui constitue la référence pour le processus de création Eur J Psychol Educ (2010) 25:49-65
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