Audio captioning is the novel task of general audio content description using free text. It is an intermodal translation task (not speech-to-text), where a system accepts as an input an audio signal and outputs the textual description (i.e. the caption) of that signal. In this paper we present Clotho, a dataset for audio captioning consisting of 4981 audio samples of 15 to 30 seconds duration and 24 905 captions of eight to 20 words length, and a baseline method to provide initial results. Clotho is built with focus on audio content and caption diversity, and the splits of the data are not hampering the training or evaluation of methods. All sounds are from the Freesound platform, and captions are crowdsourced using Amazon Mechanical Turk and annotators from English speaking countries. Unique words, named entities, and speech transcription are removed with post-processing. Clotho is freely available online (https://zenodo.org/record/3490684).

We present the first approach to automated audio captioning. We employ an encoder-decoder scheme with an alignment model in between. The input to the encoder is a sequence of log mel-band energies calculated from an audio file, while the output is a sequence of words, i.e. a caption. The encoder is a multi-layered, bi-directional gated recurrent unit (GRU) and the decoder a multi-layered GRU with a classification layer connected to the last GRU of the decoder. The classification layer and the alignment model are fully connected layers with shared weights between timesteps. The proposed method is evaluated using data drawn from a commercial sound effects library, ProSound Effects. The resulting captions were rated through metrics utilized in machine translation and image captioning fields. Results from metrics show that the proposed method can predict words appearing in the original caption, but not always correctly ordered.

Bird sounds possess distinctive spectral structure which may exhibit small shifts in spectrum depending on the bird species and environmental conditions. In this paper, we propose using convolutional recurrent neural networks on the task of automated bird audio detection in real-life environments. In the proposed method, convolutional layers extract high dimensional, local frequency shift invariant features, while recurrent layers capture longer term dependencies between the features extracted from short time frames. This method achieves 88.5% Area Under ROC Curve (AUC) score on the unseen evaluation data and obtains the second place in the Bird Audio Detection challenge.

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Singing voice separation based on deep learning relies on the usage of time-frequency masking. In many cases the masking process is not a learnable function or is not encapsulated into the deep learning optimization. Consequently, most of the existing methods rely on a post processing step using the generalized Wiener filtering. This work proposes a method that learns and optimizes (during training) a source-dependent mask and does not need the aforementioned post processing step. We introduce a recurrent inference algorithm, a sparse transformation step to improve the mask generation process, and a learned denoising filter. Obtained results show an increase of 0.49 dB for the signal to distortion ratio and 0.30 dB for the signal to interference ratio, compared to previous state-of-the-art approaches for monaural singing voice separation.

Monaural singing voice separation task focuses on the prediction of the singing voice from a single channel music mixture signal. Current state of the art (SOTA) results in monaural singing voice separation are obtained with deep learning based methods. In this work we present a novel deep learning based method that learns long-term temporal patterns and structures of a musical piece. We build upon the recently proposed Masker-Denoiser (MaD) architecture and we enhance it with the Twin Networks, a technique to regularize a recurrent generative network using a backward running copy of the network. We evaluate our method using the Demixing Secret Dataset and we obtain an increment to signal-to-distortion ratio (SDR) of 0.37 dB and to signal-to-interference ratio (SIR) of 0.23 dB, compared to previous SOTA results.

A challenging problem in deep learning-based machine listening field is the degradation of the performance when using data from unseen conditions. In this paper we focus on the acoustic scene classification (ASC) task and propose an adversarial deep learning method to allow adapting an acoustic scene classification system to deal with a new acoustic channel resulting from data captured with a different recording device. We build upon the theoretical model of H∆H-distance and previous adversarial discriminative deep learning method for ASC unsupervised domain adaptation, and we present an adversarial training based method using the Wasserstein distance. We improve the state-of-the-art mean accuracy on the data from the unseen conditions from 32% to 45%, using the TUT Acoustic Scenes dataset.

This paper studies the detection of bird calls in audio segments using stacked convolutional and recurrent neural networks. Data augmentation by blocks mixing and domain adaptation using a novel method of test mixing are proposed and evaluated in regard to making the method robust to unseen data. The contributions of two kinds of acoustic features (dominant frequency and log mel-band energy) and their combinations are studied in the context of bird audio detection. Our best achieved AUC measure on five cross-validations of the development data is 95.5% and 88.1% on the unseen evaluation data.