Abstract-An unsupervised learning algorithm for the separation of sound sources in one-channel music signals is presented. The algorithm is based on factorizing the magnitude spectrogram of an input signal into a sum of components, each of which has a fixed magnitude spectrum and a time-varying gain. Each sound source, in turn, is modeled as a sum of one or more components. The parameters of the components are estimated by minimizing the reconstruction error between the input spectrogram and the model, while restricting the component spectrograms to be nonnegative and favoring components whose gains are slowly varying and sparse. Temporal continuity is favored by using a cost term which is the sum of squared differences between the gains in adjacent frames, and sparseness is favored by penalizing nonzero gains. The proposed iterative estimation algorithm is initialized with random values, and the gains and the spectra are then alternatively updated using multiplicative update rules until the values converge. Simulation experiments were carried out using generated mixtures of pitched musical instrument samples and drum sounds. The performance of the proposed method was compared with independent subspace analysis and basic nonnegative matrix factorization, which are based on the same linear model. According to these simulations, the proposed method enables a better separation quality than the previous algorithms. Especially, the temporal continuity criterion improved the detection of pitched musical sounds. The sparseness criterion did not produce significant improvements.Index Terms-Acoustic signal analysis, audio source separation, blind source separation, music, nonnegative matrix factorization, sparse coding, unsupervised learning.
In this paper, we propose a convolutional recurrent neural network for joint sound event localization and detection (SELD) of multiple overlapping sound events in threedimensional (3D) space. The proposed network takes a sequence of consecutive spectrogram time-frames as input and maps it to two outputs in parallel. As the first output, the sound event detection (SED) is performed as a multi-label classification task on each time-frame producing temporal activity for all the sound event classes. As the second output, localization is performed by estimating the 3D Cartesian coordinates of the direction-ofarrival (DOA) for each sound event class using multi-output regression. The proposed method is able to associate multiple DOAs with respective sound event labels and further track this association with respect to time. The proposed method uses separately the phase and magnitude component of the spectrogram calculated on each audio channel as the feature, thereby avoiding any method-and array-specific feature extraction. The method is evaluated on five Ambisonic and two circular array format datasets with different overlapping sound events in anechoic, reverberant and real-life scenarios. The proposed method is compared with two SED, three DOA estimation, and one SELD baselines. The results show that the proposed method is generic and applicable to any array structures, robust to unseen DOA values, reverberation, and low SNR scenarios. The proposed method achieved a consistently higher recall of the estimated number of DOAs across datasets in comparison to the best baseline. Additionally, this recall was observed to be significantly better than the best baseline method for a higher number of overlapping sound events.
Abstract-Sound events often occur in unstructured environments where they exhibit wide variations in their frequency content and temporal structure. Convolutional neural networks (CNN) are able to extract higher level features that are invariant to local spectral and temporal variations. Recurrent neural networks (RNNs) are powerful in learning the longer term temporal context in the audio signals. CNNs and RNNs as classifiers have recently shown improved performances over established methods in various sound recognition tasks. We combine these two approaches in a Convolutional Recurrent Neural Network (CRNN) and apply it on a polyphonic sound event detection task. We compare the performance of the proposed CRNN method with CNN, RNN, and other established methods, and observe a considerable improvement for four different datasets consisting of everyday sound events.
This paper proposes to use exemplar-based sparse representations for noise robust automatic speech recognition. First, we describe how speech can be modelled as a linear combination of a small number of exemplars from a large speech exemplar dictionary. The exemplars are time-frequency patches of real speech, each spanning multiple time frames. We then propose to model speech corrupted by additive noise as a linear combination of noise and speech exemplars, and we derive an algorithm for recovering this sparse linear combination of exemplars from the observed noisy speech. We describe how the framework can be used for doing hybrid exemplar-based/HMM recognition by using the exemplar-activations together with the phonetic information associated with the exemplars.As an alternative to hybrid recognition, the framework also allows us to take a source separation approach which enables exemplar-based feature enhancement as well as missing data mask estimation. We evaluate the performance of these exemplarbased methods in connected digit recognition on the AURORA-2 database. Our results show that the hybrid system performed substantially better than source separation or missing data mask estimation at lower SNRs, achieving up to 57.1% accuracy at SNR= -5 dB. Although not as effective as two baseline recognisers at higher SNRs, the novel approach offers a promising direction of future research on exemplar-based ASR.
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