This article explores the relationship between precarity as a labor condition and precarity as an ontological experience in the lives of urban poor in Rio de Janeiro, Brazil. The focus is on a garbage dump on the outskirts of the city where thousands of Rio’s poor, known as catadores, reclaim recyclables for a living. Attending to cyclic moments in which these workers leave the dump for other jobs and then return, I explore how everyday emergencies in Rio’s periphery often clash with the rigid conditions of regular, wage-labor employment. These comings and goings of catadores result from a tension between the desire for “real” work and the desire for what I describe as relational autonomy, made possible by the conditions of wageless work. The article considers how specific histories and experiences of capitalism in the global South differentially shape the articulation of precarious labor with precarious life. I conclude by suggesting that the returns of catadores to the dump do not signal an end for Rio’s poor, but rather constitute a politics of detachment that enables life to be lived in fragile times.

In recent years, the term precarity has proliferated in the social sciences at the risk of losing its analytical purchase. This review considers the value and limitations of precarity in the various ways it has operated as both a theoretical and political concept. It first traces the historical development of the term in sociology and cognate fields, ultimately arguing for a relational approach to the concept rooted in the analysis of specific labor conditions. It then examines emergent critiques of the (often hidden) political work that the concept of precarity performs. That is, the denunciatory discourse of precarity, ironically, has the potential to uphold normative forms of work and life, including the ideal of full‐time wage labor. Instead, a critical politics of precarity leaves open the question of how precarious labor relates to precarious life and attends to ruptures that offer alternatives to the valorization of waged work.

In Reclaiming the Discarded Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice. Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.

In recent years, the expansion of types of work that fall outside the category of formal waged employment challenge many of our anthropological conceptions of labor, class politics and contemporary capitalism. This paper addresses the need to rethink the meaning of work in the context of neoliberal capitalism by exploring the formation of new worker subjectivities and practices among catadores: informal workers who collect and sell recyclable materials on a garbage dump in Rio de Janeiro, Brazil. Based on ethnographic research conducted among catadores from June through August of 2005 and in January 2007, this paper provides an analysis of the labor conditions, social relations, and forms of political organizing that have emerged on the garbage dump and which differ in significant ways from those found in situations of formal wage labor. Ultimately, this paper argues that while neoliberal capitalism has led to increased unemployment and underemployment among vulnerable populations in cities worldwide, the practices of those struggling to earn a living in urban informal economies are creating new spaces for alternative economic practices, social relations, and class politics today.

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SummaryThis essay examines parallels between the representation of garbage and the racialized production of the category of the human. In recent years, waste has become a ubiquitous metaphor for understanding the lives of the jobless poor, perceived as discarded by global capitalism and thereby rendered “disposable life.” The essay questions the conflation of waste with abjection through an ethnographic analysis of a film and art project produced on a garbage dump in Rio de Janeiro.

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