When distortion product otoacoustic emissions (DPOAEs) are measured with a high-frequency resolution, the DPOAE shows quasi-periodic variations across frequency, called DPOAE fine structure. In this study the DPOAE fine structure is determined for 50 normal-hearing humans using fixed primary levels of L1/L2 = 65/45 dB. An algorithm is developed, which characterizes the fine structure ripples in terms of three parameters: ripple spacing, ripple height, and ripple prevalence. The characteristic patterns of fine structure can be found in the DPOAE of all subjects, though the DPOAE fine structure characteristics are individual and vary from subject to subject. On average the ripple spacing decreases with increasing frequency from 1/8 oct at 1 kHz to 3/32 oct at 5 kHz. The ripple prevalence is two to three ripples per 1/3 oct, and ripple heights of up to 32 dB could be detected. The 50 normal-hearing subjects were divided into two groups, the subjects of group A having slightly better hearing levels than subjects of group B. The subjects of group A have significantly higher DPOAE levels. The overall prevalence of fine structure ripples do not differ between the two groups, but are higher and narrower for subjects of group B than for group A.

The effects of overexposure on the properties of distortion product otoacoustic emissions (DPOAEs) are investigated. In total, 39 normal-hearing humans were monaurally exposed to a 1-kHz tone lasting for 3 min at an equivalent threshold sound-pressure level of 105.5 dB. The effects of overexposure were studied in two experiments (1) on the broadband DPOAE and (2) on the DPOAE fine structure, measured using a higher frequency resolution in a narrower frequency range. The obtained DPOAE shifts were compared to temporary threshold shift (TTS) obtained after a similar exposure. Similarities between DPOAE shifts and TTS were found in the affected frequency range and the time course of recovery. The amount of TTS was higher in the early recovery time (1-4-min postexposure), but similar to the DPOAE shift (even in absolute terms) at later recovery times (5-20-min postexposure). The DPOAE fine structure was not systematically changed after the exposure.

The 2f1-f2 distortion product otoacoustic emission (DPOAE) and hearing levels are obtained for 12 normal-hearing symphony orchestra musicians both before and after their rehearsal. The DPOAE fine structures are determined and analyzed according to the character and prevalence of ripples. Hearing levels, DPOAE levels, and DPOAE fine structures before and after rehearsal are similar, indicating that no or marginal temporary change of the state of hearing were caused by the exposure. The data were further compared to similar data for occupationally nonexposed subjects, one group which was age and gender matched, and other two groups of younger individuals (one group with better hearing levels than the other). The data for the age and gender matched group compared well with the musicians data (and the data for the group of better-hearing younger individuals). In general, the analyses of hearing thresholds and DPOAE data thus lead to the same conclusions concerning the state of hearing.

A better understanding of the vulnerability of the fine structures of distortion-product otoacoustic emissions (DPOAEs) after acoustic overexposure may improve the knowledge about DPOAE generation, cochlear damage, and lead to more efficient diagnostic tools. It is studied whether the DPOAE fine structures of 16 normal-hearing human subjects are systematically affected after a moderate monaural sound-exposure of 10 min to a 2-kHz tone normalized to an exposure level L(EX,8h) of 80 dBA. DPOAEs were measured before and in the following 70 min after the exposure. The experimental protocol allowed measurements with high time and frequency resolution in a 1/3-octave band centered at 3 kHz. On average, DPOAE levels were reduced approximately 5 dB in the entire measured frequency-range. Statistically significant differences in pre- and post-exposure DPOAE levels were observed up to 70 min after the end of the sound exposure. The results show that the effects on fine structures are highly individual and no systematic change was observed.

The proposed experiment aims at testing the audiometric method developed earlier [Ordoñez et al., Acta Acustica (Beijing) 88, 450–452 (2002)] by evaluating if it is able to reproduce some of the known aspects of temporary threshold shifts (TTS), such as: Immediate sensitization, the 2 min maximum of the recovery and the half-octave shift of the peak of TTS. The subjects will be exposed to pure tones of 500 Hz and 2 kHz for 2 to 5 min and the levels will cover the range between 40- to 100-dB SPL. The aim is to induce a maximum of 15 dB of TTS. For showing the half-octave shift, the threshold will be determined from one octave below the exposure frequency to one octave above in 1/2 octave steps. For the 2 min maximum, the threshold will be measured at the most affected frequency and it can be determined continuously for 4 min after the exposure. Sensitization at probe frequencies lower than the exposure frequencies will be tested by measuring the threshold at 1/2 and 1 octave below the exposure frequency.