How do people represent the city on social media? And how do these representations feed back into people's uses of the city? To answer these questions, we develop a relational approach that relies on a combination of qualitative methods and network analysis. Based on in-depth interviews and a dataset of over 400 000 geotagged Instagram posts from Amsterdam, we analyse how the city is reassembled on and through the platform. By selectively drawing on the city, users of the platform elevate exclusive and avant-garde establishments and events, which come to stand out as hot spots, while rendering mundane and low-status places invisible. We find that Instagram provides a space for the segmentation of users into subcultural groups that mobilise the city in varied ways. Social media practices, our findings suggest, feed on as well as perpetuate socio-spatial inequalities.
We introduce Instagram as a data source for use by scholars in urban studies and neighboring disciplines and propose ways to operationalize key concepts in the study of cities. These data can help shed light on segregation, the formation of subcultures, strategies of distinction, and status hierarchies in the city. Drawing on two datasets of geotagged Instagram posts from Amsterdam and Copenhagen collected over a twelve-week period, we present a proof of concept for how to explore and visualize sociospatial patterns and divisions in these two cities. We take advantage of both the social and the geographic aspects of the data, using network analysis to identify distinct groups of users and metrics of unevenness and diversity to identify socio-spatial divisions. We also discuss some of the limitations of these data and methods and suggest ways in which they can complement established quantitative and qualitative approaches in urban scholarship.
Based on interviews with feminist Instagram users, this article studies emergent feminist visibilities on Instagram through the concept of filtering. Filtering entails both enhancement and subtraction: some feminist sensibilities align with Instagram’s interaction order, while others become subdued and remain at the margins of visibility. Taken together, users’ filtering practices contribute to the confident and happy image, individualistic streak, and accommodationist cast of popular feminism, while also amplifying feminist politics that affirm the pleasures of visibility and desire. Instagram proves a more challenging environment for feminists seeking to criticize competitive individualism and aesthetic norms. The notion of filtering enriches existing research on how online environments reconfigure feminist politics and problematizes the avowal of feminism in media culture.
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The concept of the axial age, initially proposed by the philosopher Karl Jaspers to refer to a period in the first millennium BCE that saw the rise of major religious and philosophical figures and ideas throughout Eurasia, has gained an established position in a number of fields, including historical sociology, cultural sociology, and the sociology of religion. We explore whether the notion of an "axial age" has historical and intellectual cogency, or whether the authors who use the label of a more free-floating "axiality" to connote varied "breakthroughs" in human experience may have a more compelling case. Throughout, we draw attention to ways in which uses of the axial age concept in contemporary social science vary in these and other respects. In the conclusion, we reflect on the value of the concept and its current uses and their utility in making sense of human experience.
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