This article investigates relationships between rock music and the concept of place in the modernist, functionalist, planned city of Brasília, Brazil, known at times as 'Capital of Rock' and 'Capital of Hope'. With rock history in Brasília, the city's built environment and its social character as my foci, I theorise the homology of remove as a way to conceptualise substantive relationships between these three, seemingly disparate 'spheres'. Fieldwork, notably three repeated motifs*the 'refrains'*subjects use to explain their observations, historical research, and space syntax theory's 'integration' provide the material.
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[commentary, Music and Sound, Southern Africa, Malawi, Embagweni Hospital, public health education, medical anthropology, antenatal care, pregnancy, birth, obstetric outcomes, public health]
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