This paper describes the nature and implementation of a specially-designed integrated real-time display that is undergoing evaluation as part of a recently funded innovative pilot project to investigate the relative usefulness of computer displays in the singing studio. Following previous work that suggests that simple displays of a small number of analysis parameters are generally likely to be the most effective, the system makes available a range of complementary analyses that are plotted against time. These relate to: fundamental frequency, spectrum, spectral ratio, and vocal tract area. These can be viewed singly, multiply or in combination using a panel based design within the PC Windows environment, known as WinSingad. The algorithms used are described and the displays themselves are illustrated with results gained from the pilot phase of the research to indicate their potential usefulness.

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Currently, there is no existing published empirical longitudinal data on the singing behaviours and development of choristers who perform in UK cathedrals and major chapels. Longitudinal group data is needed to provide a baseline against which individual chorister development can be mapped. The choristers perform to a professional standard on a daily basis, usually with linked rehearsals, whilst also following a full school curriculum. The impact of this intensive schedule in relation to current vocal behaviour, health and future development requires investigation. Furthermore, it is also necessary to understand the relationship between the requirements of chorister singing behaviour and adolescent voice change. The paper will report the initial findings of a new longitudinal chorister study, based in one of London's cathedrals. Singing and vocal behaviours are being profiled on a six-monthly basis using data from a specially designed acoustic and behavioural instrument. The information obtained will enable us to understand better the effects of such training and performance on underlying vocal behaviour and vocal health. The findings will also have implications for singing teachers and choral directors in relation to particular methods of vocal education and rehearsal.

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Development of the singing voice is especially important for the young. Those who learn to sing early reap a lifetime of benefits, which, in addition to developing aesthetic awareness, include personal, social, and educational outcomes. Singing is a skill that requires disciplined study if the singer is to develop his/her potential. While vocal music teachers agree that children can and should learn to sing, some have considered it inappropriate to teach singing to children via formal instruction. Fortunately, this opinion is changing. The authors agree that structured singing is a learned behavior and formal vocal instruction is appropriate for most young people. This article presents specific information for developing child and adolescent singers.

This chapter addresses boys’ voice change in adolescence. It begins with a summary ofphysiological changes that take place. This leads to a discussion of challenges andpossibilities for singing through the change, focusing on impediments to full involvementwith singing in adolescence. The chapter employs a mixed method approach. Initially,measurement and documentation of the physical characteristics of the voice in stages ofchange are presented. This provides a foundation for the second part, qualitativeaccounts of boys’ engagement with singing in adolescence. Knowledge areas coveredinclude attributes of the male changing voice, factors impacting boys’ participation insinging, and documentation of effective practice in addressing challenges andpossibilities of singing through this life-cycle stage. Implications for the assessmentpractices of voice health professionals are put forward and the roles of singing teachers,choral directors, and class music teachers in training adolescent males are discussed.