This book is a practical and organic approach to teaching choral singing and sight-reading. The text is grounded in current research from choral pedagogy, music theory, music perception, and cognition. Topics include (1) framing a choral curriculum based on the Kodály concept, (2) launching the academic year for beginning, intermediate, and advanced choirs, (3) building part-work skills, (4) teaching sight-reading, (5) building progressive music theory sequences for middle school to college-level choirs, (6) developing choral rehearsal plans, as well samples of how to teach specific repertoire from medieval to contemporary choral composers. We include two models for learning choral literature. The first is the Performance Through Sound Analysis model for understanding commercial songs, global folk musics, and arrangements. The second is the Performance Through Sound Analysis and Notation model for learning classical music and recently composed music. Both models delineate an approach to teaching a choral work that significantly improves students’ musicianship while engaging the ensemble in learning the overall composition in partnership with the conductor. The final chapter includes rubrics for assessing the effectiveness of a choral program. This book does not purport to be a comprehensive choral pedagogy text. It is a detailed guide to helping choral directors at all levels improve the choral singing and musicianship of their students from a Kodály perspective.