Batik is an Indonesian heritage which is recognized as an Intangible Cultural Heritage by UNESCO. As a cultural product that must be read to reveal the deconstruction of functions conceived in accordance with the space and time of the subject, as a logic of deconstruction in understanding the reality of the shift in the subject's understanding of objects that are seen as the reality of creation (production of construction) or recreated. The method used is qualitative with descriptive and interpretative analytical techniques using a humanistic approach. The results obtained from the research are that there are three, namely: (1) functional deconstruction of batik occurs due to traces of changes in meaning and batik in the global constellation. (2) the deconstruction of the function of batik can be understood through the life cycle and batik becomes fashion. (3) the deconstruction of the function of batik has two implications, namely: implications for the popularity of batik and implications for the socio-economic life of the Indonesian people. Batik is no longer only a cultural heritage but can be used as a means to raise the country's foreign exchange-producing economy, by improving batik not just a simple product but has become a fashion trend, where batik has use value and is able to become a national identity, has a high exchange value in the context of global economy and remains a national identity.
Pengolahan limbah di jepara sebagai kota ukir masih sangat kurang, kesalahan dalam mengelola akan menyebabkan berbahaya bagi lingkungan dan masyarakat, sehingga menyebabkan kerusakan lingkungan contoh pencemaran lingkungan. Selama ini limbah pabrik mebel mempunyai potensi untuk dikembangkan menjadi kerajinan tangan yang bernilai jual salah satunya alat permainan anak. Sasaran program pengabdian ini ada dua mitra yaitu : Mitra yang produktif yaitu PT ERNALIM. Mitra ini membantu tim pelaksana untuk mengolah limbah dari meubel ukir. Peserta dari mitra pertama yaitu 4 orang karyawan tersebut. Untuk memanfaatkan limbah kayu ini kami mengajak mitra tersebut untuk membuat alat permainan anak-anak berupa puzzle. Mitra yang kedua adalah mitra sebagai bentuk kelanjutan pemanfaatan limbah yaitu TK TARBIYATUL ATHFAL Muslimat NU di Pecangaan Jepara. Puzzle ini berbentuk wayang yaitu punakawan terdiri dari semar, gareng, pethruk dan bagong. Penyuluhan game edukasi ini diikuiti oleh guru dan anak-anak TK Tarbiyatul Athfal. Mereka sangat antusias dalam kegiatan penyuluhan ini mengingat puzzle yang digunakan adalah bukan biasanya. Dari Tim ini mengenalkan budaya indonesia sejak dini melalui game puzzle berbentuk wayang. Kegiatan ini memberikan kontribusi pada dunia pendidikan untuk meningkatkan kreativitas ketrampilan dalam memecahkan masalah menyusun gambar.
The sanding process of monel craft in the small industry of Jepara monel handicraft operator's work position has not been taken into account. The height of the machine and the operator's seat that is not adjusted to the dimensions of the worker's body make the work position that is not ergonomic. Continuous ergonomic work postures can cause complaints in the muscoloskeletal system or muckoloskeletal disorders (MSDs). MSDs in the long run can cause health problems that also affect the quality and quantity of production. Work posture improvement begins with identifying the level of muckoloskeletal complaints. Musculoskeletal complaints assessment uses the Rappid Entire Body Assessment (REBA) and Nordic Body Map (NBM) methods. The results of muscoloskeletal complaints analysis using REBA obtained a score of 7 which means a moderate level of risk. The risk level of muscoloskeletal complaints is strengthened by the results of the NBM questionnaire with the lowest score of 47 with a high risk category so that there is a need for remedial action. The redesign of work facilities is based on Anthropometry data of workers obtained by the size of 45.8 cm for the height of the cushion, the width of the cushion for the seat 33 cm, the length of the seat cushion 40 cm, the height of the table 54.8 cm, the width of the table 20 cm, and the length of the table 57 cm.
Batik Sintok is one of the new icons from the Kedah, Malaysia. It already has a patent, and has nine motifs, one of which is the Klitikan Sintok motif. Klitikan Sintok has a "distinctive" characteristic that lies in itsmotive because it is the result of plant elements living from the neighborhood of Sintok, namely the Sintoktree, which is styled in such a way as to form the structure of the Sintok motif. The purpose of this research isto determine and describe the embodiment of the Klitikan Sintok batik motif to find out and describe themeaning of the Klitikan Sintok motif. Research using qualitative methods described descriptively. Datacollection was carried out with observation, documentation obtained during the study, as well as with relevantliterature and using Rolan Bartes' theory to dissect the meaning of Klitikan Sintok's motives. Keywords: batik, Klitikan Sintok motif, shape, meaning
AbstrakKelesuan sektor ekonomi tetap terlihat pada tahun ketiga wabah covid 19 ini. Salah satu sector usaha yang terpengaruh adalah bidang usaha ternak unggas. Banyak peternak unggas mengalami dampak operasional yang mengakibatkan turunnya omset penjualan. Berkurangnya omset dikarenakan terbatasnya ruang gerak bagi bidang peternak, meningkatnya biaya operasional dan menurunnya permintaan dipasar akibat banyaknya pembatasan dimasa pandemic. Perlu ada langkah setrategis yang mampu meningkatkan peternakan unggas agar bisa mempertahankan serta meningkatkan lagi jumlah pendapatannya. Metode penelitian yang dipakai yaitu analisis kualitatif mengunakan tahapan-tahapan eksplorasi, metode observasi partispatif ialah upaya yang dipakai. Penelitian menghasilkan beberapa strategi alternative supaya mampu digunakan bagi peternak unggas untuk meningktakan daya jual hasil peternakannya yang diselaraskan kepada perubahan kondisi serta diharapkan industri ternak unggas bisa bertahan bahkan berkembang.Kata kunci: Covid-19, Strategi penikatan ekonomi, Peternak unggas AbstractThe sluggishness of the economic sector is still visible in the third year of the COVID-19 outbreak. One of the affected business sectors is the poultry business sector. Many poultry farmers experienced operational impacts which resulted in a decrease in sales turnover. The reduced turnover is due to the limited space for movement in the livestock sector, increased operational costs and decreased demand in the market due to the many restrictions during the pandemic. There needs to be a strategic step that is able to increase poultry farms in order to maintain and increase their income. The research method used is qualitative analysis using the stages of exploration, participatory observation method is the effort used. The research resulted in several alternative strategies so that they could be used for poultry farmers to increase the marketability of their livestock products which were aligned with changing conditions and it was hoped that the poultry industry could survive and even develop.Keywords: Covid-19, Strategy for economic engagement, Poultry farmers
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