No abstract
As part of the EVA London 2018 conference on Electronic Visualisation and the Arts, V&A DigitalFutures has organised two special evening events, presenting a series of technology-based installations and enabling networking of those interested in digital art. Digital Futures has been focusing on topics around the impact of technology in art, society and contemporary culture, bringing to the fore questions of privacy and surveillance, big data, IoT, technological obsolescence, identity and value in a digital age, to digital tools for civic engagement and action, and more. The platform enables critical discussions, but also long-term research projects and partnerships, using Digital Futures events for sharing, collaboration, and exchange, engage with global issues; sharing artistic processes, and demystifying technology.Art and society. Contemporary culture. Digital art. Digital Futures. Technology. V&A.
We constantly see art and technology intertwined in digital art, net-art, creative coding and current dialogues within visual culture. Fully opening to this relationship, MozEx is an art exhibition with a 21st-century twist. Curated by the digital learning teams at both the Tate and the V&A in 2016 (in collaboration with the Mozilla Foundation and Mozilla Festival), it included fifty-four dynamic digital artworks that spanned many disciplines and media. In this paper we look at reviewing our co-working approach as MozEx producers and curators, looking at the constructive cross-exchange of art, web and tech that was created and built-up during this project. The paper opens a critical angle on what it means to form a contemporary and collaborative exhibit project, what critical questions are asked and how the cross-connection with art, tech, culture and web can be key to open-up more constructive gallery and also non-gallery setting, in a physical space and/or on a digital platform. Art. Technology. Web. Collaboration. Experience. Exhibition. Exchange.
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