Digital Futures: Lumen Big Reveal

Papadimitriou, Irini; Addis, Jack; Lomas, Andy; Dekker, Laura; Singporewala, Karl; Tresset, Patrick

doi:10.14236/ewic/eva2017.86

Cited by 5 publications

(4 citation statements)

References 1 publication

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“…In 2014, his work Cellular Forms won The Lumen Prize Gold Award. He is a previous presenter and exhibitor at the EVA London conference (Lomas 2016;Papadimitriou et al 2017).…”

Section: Andy Lomasmentioning

confidence: 99%

Turing’s Genius – Defining an apt microcosm

Bowen

Trickett

Green

et al. 2018

Electronic Workshops in Computing

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Turing (1912-1954) is widely acknowledged as a genius. As well as codebreaking during World War II and taking a pioneering role in computer hardware design and software after the War, he also wrote three important foundational papers in the fields of theoretical computer science, artificial intelligence, and mathematical biology. He has been called the father of computer science, but he also admired by mathematicians, philosophers, and perhaps more surprisingly biologists, for his wide-ranging ideas. His influence stretches from scientific to cultural and even political impact. For all these reasons, he was a true polymath. This paper considers the genius of Turing from various angles, both scientific and artistic. The four authors provide position statements on how Turing has influenced and inspired their work, together with short biographies, as a starting point for a panel session and visual music performance.

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“…In 2014, his work Cellular Forms won The Lumen Prize Gold Award. He is a previous presenter and exhibitor at the EVA London conference (Lomas 2016;Papadimitriou et al 2017).…”

Section: Andy Lomasmentioning

confidence: 99%

Turing’s Genius – Defining an apt microcosm

Bowen

Trickett

Green

et al. 2018

Electronic Workshops in Computing

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“…As part of EVA London 2018, developing from Digital Futures events held in association with previous EVA London conferencese.g., see Papadimitriou, Addis, et al (2017) we are holding for the first time two Digital Futures evening events. The first evening is to be held after the EVA London 2018 Symposium (Bowen et al 2018) on the first day of the conference.…”

Section: Introductionmentioning

confidence: 96%

Digital Futures: Exhibits at EVA London 2018

Papadimitriou

Bowen²

2018

Electronic Workshops in Computing

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As part of the EVA London 2018 conference on Electronic Visualisation and the Arts, V&A DigitalFutures has organised two special evening events, presenting a series of technology-based installations and enabling networking of those interested in digital art. Digital Futures has been focusing on topics around the impact of technology in art, society and contemporary culture, bringing to the fore questions of privacy and surveillance, big data, IoT, technological obsolescence, identity and value in a digital age, to digital tools for civic engagement and action, and more. The platform enables critical discussions, but also long-term research projects and partnerships, using Digital Futures events for sharing, collaboration, and exchange, engage with global issues; sharing artistic processes, and demystifying technology.Art and society. Contemporary culture. Digital art. Digital Futures. Technology. V&A.

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“…Carla Gannis is a digital artist who has previously presented at the EVA London 2017 Symposium and Conference (Gannis 2017), where she also exhibited at the associated V&A Digital Futures evening event (Papadimitriou 2017). (Gannis 2017;Papadimitriou 2017 The concept of altered states of consciousness informs a range of contemporary artistic practices, from modern psychedelic art and music to 'cyberdelic' virtual reality applications (Weinel 2018a(Weinel , 2018b).…”

Section: Introductionmentioning

confidence: 99%

“…(Gannis 2017;Papadimitriou 2017 The concept of altered states of consciousness informs a range of contemporary artistic practices, from modern psychedelic art and music to 'cyberdelic' virtual reality applications (Weinel 2018a(Weinel , 2018b). Yet the imperative of creating work to represent or induce changes in perception is ancient, with some theorists arguing that the earliest cave paintings represent hallucinatory visions.…”

Section: Introductionmentioning

confidence: 99%