Novel Kursi Pemilu (1982) karya Sinansari Ecip dibahas dengan latar belakang politik tentang pemilihan kepala desa (Pilkades). Pada tahun 1970-an, politik negara berlangsung dalam pengaruh kekuasaan Orde Baru. Pemasalahannya adalah bagaimana pelaksanaan pilkades sebagai perwujudan demokrasi di tingkat bawah dan bagaimana kekuasaan politik itu dijalankan sebagai realitas politik pada zamannya? Teori yang digunakan adalah teori hegemoni dari Antonio Gramsci dengan menggunakan pendekatan hermeneutika (interpretatif) untuk mengungkapkan kekuatan teks sastra. Hasil analisis menunjukkan bahwa kekuasaan politik orde baru sangat kuat mengakar di masyarakat. Kontestan Pemilu yang dilukiskan dalam novel Kursi Pemilu seperti, Goljo, Golning, dan Golrah tiada lain adalah akronim dari Golongan hijau (goljo), Golongan kuning (Golning), dan Golongan merah (Golrah). Goljo identik dengan Partai Persatuan Pembangunan (PPP), Golning serupa dengan Golkar dan Golrah adalah Partai Demokrasi Indonesia (PDI). Tafsir itu semakin akurat kalau dihubungkan dengan basis pendukung masing-masing golongan. Goljo dalam novel itu didukung oleh alim ulama, pesantren, dan golongan tua yang taat beribadah. Golning tiada lain adalah barisan aparat pemerintah dari tingkat desa, camat, bupati, dan seterusnya. Golrah mendapat simpati dari sebagian besar generasi muda yang sangat mendambakan perubahan dan antikemapanan. Menjelang reformsi kondisi ini banyak digugat karena model demokrasi seperti itu lebih bersifat sentralistik untuk melanggengkan kekuasaan golongan tertentu.
This study aimed to identify the nationalism values in “Tanah Surga...Katanya” film. It is a qualitative descriptive study based on audiovisual of film. The results indicate that, in the border, the value of Indonesian nationalism is faded, such as lack of recognition of the Indonesia Rupiah, low appreciation on the national anthem, and looking down on the potential of the region. That condition is due to the government’s lack of attention to education, health, transportation, communication, and economic facilities. But, on the other hand, the spirit of nationalism and nationality emerged, as well as sacrifice to defend the country.
The purpose of this article is to examine Tuwung Kuning (Yellow Egg Plant) folklore based on the feminist approach. The object of the study is the drama script and performance Tuwung Kuning recording. Data were analysed with hermeneutic method, namely the interpretation of text both written and audiovisual texts. The results of the study show that the manuscripts and theater express the theme of domestic violence. The female character of the story, Tuwung Kuning, is very weak and in an oppressed conditions. The bullying was carried out by the husband and by environmental conditions of a gambler family. The female character was powerless and oppressed by male-based power of patriarchy, even though in a state of old pregnancy, when giving birth and caring for the child. She was threatened, terrorized and killed. This condition is very contrary to the spirit of feminism that fights for gender equality so that the position of women is equal to men. The change in the fate of this female character is not by herself, but by an angel, as a fortune.
Oral literature is considered as a world cultural heritage (intangible cultural heritage).However, the present condition is that oral literature in Bali is marginalized by the development of tourism. The method is observation, socio-drama and recorded material. Oral literature tradition is expected to have additional value, especially electronic devices such as radio, television, Internet, social media and production house. The empowerment of the people who concern with oral literature can be done through educational institutions, from the basic to higher educational levels.The model offered here involves establishing 'sanggar sastra', or informal schools in which performing theatrical play and drama could be spread around the Indonesian archipelago.
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