We present a tone reproduction operator that preserves visibility in high dynamic range scenes. Our method introduces a new histogram adjustment technique, based on the population of local adaptation luminances in a scene. To match subjective viewing experience, the method incorporates models for human contrast sensitivity, glare, spatial acuity and color sensitivity. We compare our results to previous work and present examples of our techniques applied to lighting simulation and electronic photography.
Figure 1: Our method can automatically adjust the appearance of a foreground region to better match the background of a composite. Given the proposed foreground and background on the left, we show the compositing results of unadjusted cut-and-paste, Adobe Photoshop's Match Color, the method of Lalonde and Efros [2007], and our method.
AbstractCompositing is one of the most commonly performed operations in computer graphics. A realistic composite requires adjusting the appearance of the foreground and background so that they appear compatible; unfortunately, this task is challenging and poorly understood. We use statistical and visual perception experiments to study the realism of image composites. First, we evaluate a number of standard 2D image statistical measures, and identify those that are most significant in determining the realism of a composite. Then, we perform a human subjects experiment to determine how the changes in these key statistics influence human judgements of composite realism. Finally, we describe a data-driven algorithm that automatically adjusts these statistical measures in a foreground to make it more compatible with its background in a composite. We show a number of compositing results, and evaluate the performance of both our algorithm and previous work with a human subjects study.
We describe a system for capturing bump maps from a series of images of an object from the same view point, but with varying, known, illumination. Using the illumination information we can reconstruct the surface normals for a variety of, but not all, surface nishes and geometries. The system allows an existing object to be rerendered with new lighting and surface nish without explicitly reconstructing the object geometry.
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