A full-scale wood frame test hut with nine wall specimens, typical of low-rise residential construction in the province of Quebec, was built inside an environmental chamber. This test hut was subjected to 66 days of simulated winter and 47 days of late spring climatic conditions to verify the feasibility of different methods of mapping and representing graphically air exfiltration. Through a better understanding of the movement of air through the envelope, the risks related to moisture condensation within the envelope for different wall compositions can be better ascertained. The air leakage pattern characterization methods implemented were two-dimensional grid moisture content monitoring and three-dimensional grid temperature monitoring. The moisture content and temperature data were presented in a graphic form, using isohygrons and isotherms. Temperatures without the impact of air leakage were also calculated using a three-dimensional conductive heat transfer model. The air leakage pattern characterization methods and the resulting moisture and temperature maps are presented and discussed herein.
Moisture is a driving factor in the long-term mechanical deterioration of canvas paintings, as well as for a number of physico-chemical degradation processes. Since the 1990s a number of publications have addressed the equilibrium hygroscopic uptake and the hygro-mechanical deformation of linen canvas, oil paint, animal glue, and ground paint. In order to visualise and quantify the dynamic behaviour of these materials combined in a painting mock-up or reconstruction, we have performed custom-designed experiments with neutron radiography and nuclear magnetic resonance (NMR) imaging. This paper reports how both techniques were used to obtain spatially and temporally resolved information on moisture content, during alternate exposure to high and low relative humidity, or in contact with liquids of varying water activities. We observed how the canvas, which is the dominant component in terms of volumetric moisture uptake, absorbs and dries rapidly, and, due to its low vapour resistance, allows for vapour transfer towards the ground layer. Moisture desorption was generally found to be faster than absorption. The presence of sizing glue leads to a local increase of moisture content. It was observed that lining a painting with an extra canvas results in a damping effect: i.e. absorption and drying are significantly slowed-down. The results obtained by NMR are complementary to neutron radiography in that they allow accurate monitoring of water ingress in contact with a liquid reservoir. Quantitative results are in good agreement with adsorption isotherms. The findings can be used for risk analysis of paintings exposed to changing micro-climates or subjected to conservation treatments using water. Future studies addressing moisture-driven deformation of paintings can make use of the proposed experimental techniques.
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