Poems for the Millennium tente de cartographier les écritures poétiques radicales et constitue un poème long, un collage-montage-nexus de poésies trouvées. Quand Jerome Rothenberg et Pierre Joris amputent Kaddish de la série modulaire Testimony (Going To and Fro and Walking Up and Down 1941), ils privilégient la surface et la dislocation dans le collage-montage-assemblage au détriment de l'esthétique reznikoffienne de la greffe, brisure et germination, qui fait du langage poétique un processus de dissémination discursive.
This paper suggests Charles Reznikoff 's poetry should be assessed in its relation to the Jewish hermeneutical tradition. Philosopher Paul Ricœur's quotation in the title, "the very deciphering of life in the mirror of the text, " sums up Reznikoff 's poetical strategy. He decontextualizes his writing by displacing it towards its hypotextual origin, Jewish and non-Jewish. Reading destabilizes the reader who embraces the poetical text in the mirror of its hypotexts. This move metaphorically takes reading and writing away from their familiar American grounds and paves the way for an ethics of perambulation.
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