Shanghai has often been called the Paris of the Orient. This is only half true. Shanghai has all the vices of Paris and more but boasts of none of its cultural influences. The municipal orchestra is uncertain of its future, and the removal of the city library to its new premises has only shattered our hopes for better reading facilities. The Royal Asiatic Society has been denied all support from the Council for the maintenance of its library, which is the only center for research in this metropolis. It is therefore no wonder that men and women, old or young, poor or rich, turn their minds to mischief and lowly pursuits of pleasure, and the laxity of police regulations has aggravated the situation.
During the past twenty-five years, hundreds of studies of Chinese peasant rebellions have appeared in print. Most of these were published in the People's Republic of China, where they represented an effort to create a new revolutionary history of class struggle, intended to replace the elite history written by Confucian historiographers under the empire. Embodying Mao Tse-tung's belief that “the ruthless economic exploitations and political oppression of the peasantry by the landlord class forced the peasants to rise repeatedly in revolt against its rule” (Mao 1961, Vol. III, p. 75), these studies of popular uprisings describe a bewildering variety of social phenomena.
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