In this article, I discuss the ways in which animals act as ontological subjects — as other-than-human persons and as agents in myth and ritual. First I outline how humans conceive of and behave with animals and their remains in indigenous cosmologies using ethnographic and ethnohistoric examples from the Arctic, Subarctic and Amazonia. I then explore the archaeological evidence for indigenous ontologies along the coasts of Chukotka and Alaska, arguing that prehistoric hunters interacted with animals as agential persons, engaging in social practices intended to facilitate hunting success and avoid offending prey. Two forms of ritual activities are discussed: the use of hunting amulets and the caching of animal bones and antlers. I conclude that focusing on shamanism in the study of hunter-gatherer belief obscures the roles of hunters and their wives. Their thoughts and actions established and maintained relationships with prey animals and may be more productively conceptualized as dynamic social behaviours embedded within the context of daily life than as privileged ritual acts.
The discipline of archaeology has long engaged with animals in a utilitarian mode, constructing animals as objects to be hunted, manipulated, domesticated, and consumed. Only recently, in tandem with the rising interest in animals in the humanities and the development of interdisciplinary animal studies research, has archaeology begun to systematically engage with animals as subjects. This article describes some of the ways in which archaeologists are reconstructing human engagements with animals in the past, focusing on relational modes of interaction documented in many hunting and gathering societies. Among the most productive lines of evidence for human-animal relations in the past are animal burials and structured deposits of animal bones. These archaeological features provide material evidence for relational ontologies in which animals, like humans, were vested with sentience and agency.
The interest in the study of the body that is emerging in European archaeologies has not yet penetrated Americanist approaches to prehistoric iconography. Nevertheless, American materials provide an excellent data base with which to work. This article employs the complex human representational imagery of the Moche (Peruvian North Coast, c.AD 100–800) to explore how the body was situated within the context of ritual sacrifice. Employing both the Foucauldian concept of the disciplined body and the work of Mary Douglas, two forms of bodily representation are discussed: the naked male prisoner and the spread-eagled female sacrifice. These bodies are defined iconographically not only by their sex, but also by their qualities of anonymity or individuality. While the sacrificed female represents an individual who is notable because of who she is (i.e. who she embodies), the male prisoners represent an undifferentiated and anonymous group. These two examples suggest that the body can be read as an individual symbolic field (the female body) and, alternatively, can serve as an undifferentiated forum (the bodies of prisoners) for sacrificial discourse. Despite these differences in representation, both forms of the body present potentially liminal sites within the context of sacrificial ritual. This liminality is essential for the discursive re-ordering of the body politic to occur.
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