The aim of this article is to explore how metaphor is mobilized to frame and describe the lived experience of dementia in a corpus of illness narratives compiled from 10 blogs initiated and maintained by individuals diagnosed with early-onset dementia. The article is set against the background of contemporary healthcare practices and discourse around chronic illness and focuses on the metaphors that patients use to communicate about their dementia experience in relation to three basic psychological needs: autonomy, competence and relatedness, which are essential for human well-being and are heavily challenged in complex medical situations. Results are discussed in terms of the framing metaphors provide of the emotional, psychological impact of dementia and their implications for patient-centered care. This study expands prior work by researching metaphors used for a condition that has been scarcely explored from this point of view and by focusing on the patient’s perspective exclusively.

Conceptual metaphor is ubiquitous in language and thought, as we usually reason and talk about abstract concepts in terms of more concrete ones via metaphorical mappings that are hypothesized to arise from our embodied experience. One pervasive example is the conceptual projection of valence onto space, which flexibly recruits the vertical and lateral spatial frames to gain structure (e.g., good is up-bad is down and good is right-bad is left). In the current study, we used a valence judgment task to explore the role that exogenous bodily cues (namely response hand positions) play in the allocation of spatial attention and the modulation of conceptual congruency effects. Experiment 1 showed that congruency effects along the vertical axis are weakened when task conditions (i.e., the use of vertical visual cues, on the one hand, and the horizontal alignment of responses, on the other) draw attention to both the vertical and lateral axes making them simultaneously salient. Experiment 2 evidenced that the vertical alignment of participants' hands while responding to the task-regardless of the location of their dominant hand-facilitates the judgment of positive and negative-valence words, as long as participants respond in a metaphor-congruent manner (i.e., up responses are good and down responses are bad). Overall, these results support the claim that source domain representations are dynamically activated in response to the context and that bodily states are an integral part of that context.

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The aim of this paper is to explore the predominant metonymic and metaphoric conceptualizations of sadness in the Old English period. To this end, the Old English expressions for emotional distress recorded in The Old English Thesaurus and old English dictionaries have been analyzed. Taking as a starting point the experiential grounding of emotion conceptualization, we first present experimental evidence in support of the role of somato-behavioral reactions in emotion recognition, affective state induction and emotional information processing and interpretation, and review the most common metonymic and metaphoric expressions for sadness in Modern English. Next, we analyze the Old English vocabulary for sadness and the interplay between embodiment and culture in the conceptualization and linguistic description of emotional distress. Such analysis makes it clear that in ancient times, as in present day English, sadness and psychological distress were also conceptualized in terms of unpleasant physical conditions such as illness, cold, darkness or heaviness. Consequently, a long-term diachronic trend in the conceptualization of sadness can be traced even though its linguistic realization and motivation have varied through time.

This paper presents results from a qualitative corpus-based study on Spanish EFL learners’ metaphorical production. The analysis of a learner corpus of business English, which included essays written by undergraduates, showed that learners do make use of metaphorical language and that the metaphorical expressions identified in their texts — economy/business is a living organism, business is war, business is a relationship, and economic success and failure are movements on a vertical axis — match those used by native speakers, as stated in the literature (Burcea, 2010; Kovács, 2006; Kövecses, 2002; White, 2003; among others). In addition, data also confirmed that even in learner’s language metaphors are connected in large networks within the same text, which contribute to enhancing text global coherence, as pointed out by Semino (2008). Finally, the potential benefits of raising learners’ metaphorical awareness and making explicit to them cross-linguistic differences in the expression of general conceptual metaphors are highlighted.

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La escritura es una tarea compleja y multifacética que presenta muchos desafíos, especialmente cuando se escribe en un idioma extranjero. Estudios recientes han demostrado que tanto escritores como lectores se benefician del conocimiento explícito de los géneros textuales y de su organización, ya que el sentido de unidad de un texto está en gran parte relacionado con su estructura general. El conocimiento de la estructura del texto revela las convenciones que controlan el flujo de información y determinan los tipos de señales disponibles para los lectores. En este artículo usamos la teoría de la metáfora conceptual para proporcionar una nueva forma de explorar la escritura en el contexto académico y analizar el marco conceptual que escritores y lectores emplean para organizar la información. En este sentido, ilustramos cómo la metáfora los TEXTOS SON VIAJES puede usarse para dilucidar la organización macroestructural subyacente en textos expositivos escritos por aprendices de inglés.

An eye-tracking while listening study based on the blank screen paradigm was conducted to investigate the processing of literal and metaphorical verbs of motion. The study was based on two assumptions from the literature: that language comprehension by default engages mental simulation, and that looking behavior (measured through patterns of eye-movements) can provide a window into ongoing cognitive processes. This study specifically compared the comprehension of sentences that depicted actual physical motion (the curtain is rising) and sentences that described changes in quantity or emotional states in terms of vertical motion (prices are rising). Results showed that eye-movements were selectively biased upward or downward in accordance with the direction implied by the verb, regardless of the context (literal or metaphorical) in which they appeared, and in the absence of any visual stimuli or explicit task. Thus, these findings suggest that literal and metaphorical language drive spontaneous, direction-specific mental simulations captured by eye-movements, and that at least in the case of verbs presented in the present progressive, which emphasizes the ongoing nature of actions, visual biases along the vertical axis may start during the verb itself.