Kyttaro was an alternative club in the center of Athens during the Colonels' dictatorship. This article demonstrates how the affective economy and political energy of the live musical performances that took place there turned it into a vehicle of cultural and political contestation for the progressive youth of the time. It also challenges dominant periodizations in relation to the dictatorship, highlighting the continuities of cultural practices, group behavior, and youth protest. Lastly, drawing upon a range of sources, including oral testimonies with key figures in the music scene of the time, the article highlights the importance of sensorial and " from below" insights for the study of cultural phenomena.
In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as traditional folk music, rebetika, or the ‘new wave’ of the 1960s exemplified by the international success of composers such as Hadjidakis and Theodorakis, the conference set out to situate these traditions in a broader Greek context and also an explicitly international one, in this way building upon a growing trend (Bucuvalas 2019; Tragaki 2019).
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