The purpose of the study is to experimentally determine the degree of influence of physical and theoretical readiness of students on the level of professional and pedagogical skills in the field of physical culture and sports activities and thereby establish the indicator of readiness of future physical education teachers for professional activities. Scientific novelty lies in the identification and evaluation of the correlation between the level of professional and pedagogical skills, theoretical and physical fitness of the respondents. The results of the study can be used in pedagogical universities to determine the degree of readiness of future physical education teachers for professional activities and the influence of practical and theoretical preparedness on the level of professional and pedagogical skills in the field of physical culture and sports activities.
The subject of the study is the cultural code of Judaism in the visual semiosis of the Crimea. The object of the study is the traditional symbolism in the decor of the Jews of the Crimea: Ashkenazi Jews, Karaites and Krymchaks. The article uses the methods of cultural (semiotic, ontological and hermeneutic) analysis in the continuum of signs of the traditional Jewish semiosis, the idiographic method in the concept of the totality of signs, the method of analysis of previous studies, the method of synthesis in substantiating the morphology of signs. The following aspects of the topic are considered in the study: five main codes of Jewish culture are identified, their morphology and interrelationships are substantiated, as well as key meanings and the main central code. The main conclusions of the study are: 1. The multiethnic landscape of Crimea is made up of the cultures of numerous ethnic groups. The main feature of the identification and self-identification of cultures is religion. The Jews of Crimea include Ashkenazi Jews, Karaites and Crimeans. A single source for cultural codes in the Jewish semiosis is the Torah (the Mosaic Pentateuch) for all three ethnic groups, and for two of them (Jews and Krymchaks), the interpretation of the Torah is also the Talmud. 2. Based on the studied material, five main codes of the Jewish visual semiosis of the Crimea are identified, each of which unites a certain group of symbols: skewomorphic, phytomorphic, zoomorphic, numeric. The unifying code and the primary source of all codes is the code Book (Torah). The interrelationships between the codes, the key meanings – symbols of Creation, Paradise, Torah persons and Messianic aspirations are revealed. The semantic center of all codes is the repository of the Torah – Aron Hakodesh, and the Torah itself. Thus, the ring pattern "from Torah to Torah" is revealed. 3. A special contribution to the research of the topic is the systematization of the cultural codes of the Jewish semiosis of the Crimea. The scientific novelty consists in the fact that for the first time a culturological analysis was carried out and the interrelationships of cultural codes in the visual semiosis of the Crimea were structured.
The purpose of the study is to experimentally select and test exercises for the development of coordination abilities by the game method. The article analyzes the necessity and role of the application of the game method in the development of coordination abilities in teaching the technique of basketball elements. The author presents exercises and game tasks for the development of coordination abilities among students of the Pyatigorsk Medical and Pharmaceutical Institute. The scientific novelty is represented by the development of an algorithm for using the game method in basketball lessons to develop coordination abilities among students of the Pyatigorsk Medical and Pharmaceutical Institute. As a result of the experimental work, an algorithm for applying game and competitive methods was developed.
The article describes the main stages of the career development and search for the author’s manner of the Crimean artist - S. G. Mamchich. The paper notes two periods of the master’s creativity on the basis of the studied sources. The problem of the Crimean landscape interpretation in the painter’s work and post-impressionistic tendencies influence on the transformation of the conception of the painter’s landscape painting are considered. The author reveals the features of the compositional and decorative resolution of the paintings, the interpretation of artistic images and the continuity of the artist’s works in the context of the Cimmerian art school. It is noted that S. G. Mamchich’s creative pursuit influenced the formation of the modern regional school of painting.
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