Projekat muzeja „Mira i sećanja“ u Novom Sadu zasniva se na istraživanju i upoznavanju sa objektima namenjenih predstavljanju ljudske tragedije tj. stradanja. Analizom istraženih objekata se dobijaju okvirne karakteristike koje se primenjuju pri projektovanju ovakve vrse objekata. Ovim projektom pokušana je integracija javnog prostora koji je namenjen za provod slobodnog vreena i prostora namenjenog predstavljanju stradanja u najmračnijim događajima bliske istorije. Cilj projekta je kreiranje atraktivnog prostora za uživanje uz edukativni deo koji treba poput ožiljka da podseti na ljude kojima je uživanje u slobodi bilo nedostižno.
The noticeable urgent need for the preservation of collective and cultural memory in Europe, coupled with a fear of loss of important aspects of heritage, indicates the importance of educating the youth who will become future policymakers in the field. Analyses of the survey conducted through this research show the current perspective of youth on the typology of World War II memorials on the territories of the former republics, now independent states, of SFR Yugoslavia in Southeast Europe. Targeting architecture and civil engineering students as a specific youth group who are directly involved in learning about the built memorial structures, as well as the phenomenological background of space, creation of place and memories, resulted in a qualitative observation of the group’s understanding and judgement of the topic. This article investigates the level of knowledge and emotional response to memorial heritage within the target group. It addresses relevant issues of age, gender, level of study, and respondents’ backgrounds, demonstrating the existence of an initial interest in memorial heritage among the architecture-oriented youth. With an additional focus on a possible active role in heritage preservation and future placement, the research indicates a segment in the youth’s comprehension of valuable memorial heritage that needs to be improved.
Rad je koncipiran u vidu teorijske platforme i projektantskog odgovora na tu platformu. Rad se bavi temom utopije i veze između utopije i arhitekture. Značaj utopije i distopije je u kritici jednog društva, sa bitnom razlikom što distopija veliča negativne karakteristike jednog društva i vremena dok utopija nudi alternativu kao moguće rešenje kojem treba težiti ili koje bar treba da postoji, kao određeni ideal. Kritiku savremenog društva predstavio sam pod pojmom Simulacija, oslanjajući se pri tom na rad francuskog mislioca Žana Bodrijara. Kao odgovor na Simulaciju ističem proces Asimulacije koji za cilj ima promenu društva kroz revoluciju svesti.
Cilj rada ogleda se u ispitivanju novih koncepcija i pristupa projektovanjazatvorskih kompleksa. Rad se bavi istraživanjem razvoja novih zatvorskih oblika, zatim, ispitivanjem uticaja savremenih tehnologija na arhitektonski prostor, kao i, predlaganjem novih sadržaja za zatvore, koji utiču na promjenu percepcije arhitektonskog konteksta. Projektovani zatvorski kompleks smješten je na periferiji grada Novog Sada, u prirodnom okruženju ostrva Čerevićka ada. Analizirano je sedam primjera studije slučaja, koji su pokazali različite odnose među prostornim rješenjima, programima, funkcijama, kontekstu i korisnicima. Zaključci ovog istraživanja poslužili su kao glavne smijernice pri projektovanju. Kao rezultat, kreiran je novi zatvorski kompleks u kome se pored osnovnih sadržaja nalaze razni kulturni, sportski i obrazovni sadržaji. Stvoren je odgovarajući prostor koji pospješuje rehabilitaciju zatvorenika i uvodi nove sadržaje.
Current research and documents on urban development emphasise the links between economic growth and planning strategies, making urban space an asset of the contemporary market economy. The analysis of development trends in post-transitional cities shows numerous similarities to the Asian concept of developmental cities. This study examines current urban development strategies in the city of Novi Sad (Serbia), particularly focusing on trends in housing projects, which are the major contributors to the production of urban space. The housing policy in the city, spanning from urban reconstruction after WWII until the present, is comprehended through statistical data on construction activity, taken as an indicator of change in urban politics and the general concept of city development. The major change in this concept is the weakening of the connection between city population growth and apartment building production. As a result, human needs are no longer the primary motive for apartment construction. The comparison, analysis, and conclusions based on the interpretation of the indicators highlight the necessity for rethinking present urban practises in order to combat the continual process of degrading the quality of life in the city.
With the emergence of Yugoslavia, a new socialist state, political events and celebrations came to the fore in the repertoire of mass events. The spectacle was supported by the ideological cultural policy with the aim of creating a socialist identity of the city and the state. In that sense, as a predetermined act, the spectacle necessarily influenced the formation and appropriation of public space. Since spectacles were an important element of strengthening the new order of socioeconomic relations, the politics directly controlled their programmes, strategic aims, and tasks. Thus, the beginning of the sixties of the previous century, the approach to the spectacle reflected the strategic state determinations, but also changed depending on the internal circumstances and foreign policy. Analysing the spaces and symbols of state spectacle at the first Summit Conference of Heads of State or Government of the Non-Aligned Movement (NAM), the paper aims to explain the method of their incorporation into the social reality of Yugoslavia, their impact on the affirmation of space, i.e. both ephemeral and permanent changes of architectural and urban space. The paper will analyse the central spaces of the Conference, symbols, models of architectural mobilisation, and the ideologisation, and politicisation of events that influenced the affirmation of public spaces and buildings of Belgrade and its presentation to the world.
Уни вер зи тет у Но вом Са ду, Фа кул тет тех нич ких на у ка-Де парт ман за ар хи тек ту ру и ур ба ни зам, Но ви Сад
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.