A unique collection of high-quality late medieval (fifteenth–sixteenth century) glazed and unglazed stove tiles from the northern part of the Carpathian Basin is of great interest to archaeologists and art historians. It is yet to be determined if these products, which are characterised by similar features, were produced in a single workshop, perhaps in Besztercebánya/Banská Bystrica (in present-day Slovakia), or in several workshops throughout the region. The first systematic multi-analytical investigation was carried out on the ceramic body and glaze of one hundred and seventeen tile fragments from six sites (Besztercebánya/Banská Bystrica, Fülek/Fiľakovo, and Csábrág/Čabraď in Slovakia; Salgó, Eger, and Szécsény in Hungary) using polarising microscopy, X-ray diffraction, electron microprobe, and Raman microspectroscopy analyses to determine the raw materials and production techniques used. Based on the petrographic characteristics, phase and chemical composition of the ceramic body, and the chemical composition and colourants of the glazes, the stove tiles can be classified into three primary groups. Tiles from different sites are different to each other, only the tiles from the Hungarian sites and from Fülek/Fiľakovo are similar. Thus, it is probable that the tiles were produced in several (at least three) workshops in the region from where they were then dispersed. The technological knowledge of the master(s) producing the polychrome Csábrág/Čabraď tiles with tin-opacified glazes was higher than that of the master(s) producing the other tiles. However, the exact location of the workshops as well as their existence through time is still in unknown.
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