While Walter Benjamin's equation of law with violence leads to his affirmation of a kind of un‐mediated divine violence and Giorgio Agamben's notion of sovereignty links politics directly with the body, Carl Schmitt's idea of sovereignty does not concern itself primarily with bare life but with an acculturated subject that links law and politics to a particular tradition. Because he is always concerned about this relationship between culture and politics, Schmitt offers a concept of the political that is better able to explain the kinds of ideological and cultural factors that impact upon politics in situations such as the Weimar Republic or the civil war in Iraq, in which cultural conflict leads to political instability. His thinking suggests that the cultural analysis of both religious and secular literary traditions can throw light on the ideological commitments that motivate political conflict.
Though commentators such as Gerhard Neumann have read Kafka's “Judgment” as a critique of patriarchal authority and the tyranny of familial relations, the story's powerful effect originates from the affirmation of patriarchal authority which motivates its plot. The story situates the protagonist in a conflict between the demands of a patriarchal family and a universalist culture outside the family based on friendship. The victory of the father and the resulting death of the son function as part of an attempt to recover traditional structures of authority which have been eroded by a modern notion of culture based on individual freedom and ‘elective’ affinities rather than binding ones. The death of the son is not an example of senseless repression but of a self‐sacrifice of modern and individualist desires in favor of the patriarchal authority of the father.
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