This research examined the influence of negative political advertising frames on the thoughts and feelings people generate in response to campaign advertising. Preparing and conducting this investigation involved the use of a multiple-method strategy. Content analysis identified two advertising frames (i.e., candidate theme and ad hoc issue advertisements) and two experiments separately induced political cynicism and politician accountability. Three hundred and sixty people participated in the experimental studies, in which they read and responded, using a thought-listing technique, to candidate theme or ad hoc issue negative advertisements. Results demonstrated that participants were more likely to generate cynical comments and hold politicians accountable for the country's ills when reading candidate theme advertisements than ad hoc issue advertisements. The results indicate that this contributes to a political climate of cynicism and may function to erode the electorate's overall trust in government.

No abstract

No abstract

No abstract

The F-Club in Leeds, UK, was a punk and post-punk night and club from the 1970s into the 1980s. Leeds as a city has a reputation for alternative music scenes, and the F-Club is part of the history recalled by musicians and fans locally. In this paper, we interview people who publicly identified with going to the F-Club back in their youth, to map connections as well as memories, identity-work and myth-making. We are interested in leisure spaces and leisure lives, as well as cultural spaces and identity-work. We explore the history of the F-Club, its place in wider networks and the memories of it by those who attended it. We explore the ways in which the F-Club is remembered and talked about by self-declared members of the scenes around the club. Our interest is not so much in mapping and understanding the identity-work and the community of the F-Club as it actually happened, but how our respondents construct these things now from their own memories. This paper also contributes to methodological and theoretical debates about network analysis against ethnography in the sociology of music, and defends the latter as a way to construct an emerging public sociology of leisure.