Research summary
We explore how information intermediaries preserve relationships with firms they cover and differentiate from competitors while also maintaining legitimacy with their audiences. We find that intermediaries evaluating movies and video games delay disclosing more negative reviews of heavily marketed products so that they do not coincide with the major product marketing push. We also find that media organizations artificially differentiate themselves from their competitors. We demonstrate that critics are more deviant when they can observe another's opinion and that differentiation increases when they tend to evaluate the same types of products. Our interpretation is that information intermediaries do not simply provide objective reviews, but instead appear strategic in balancing pressures from product “suppliers” and competitors as they compete for the attention of their audiences.
Managerial summary
We argue that film and video game reviews by professional media outlets reflect two types of strategic behavior. First, intermediaries evaluating movies and video games delay disclosing more negative reviews of heavily marketed products. Second, critics artificially deviate their review scores from those of close competitors. We conclude that information intermediaries do not simply provide objective reviews, but instead appear strategic in balancing pressures from product “suppliers” and competitors as they compete for the attention of their audiences.
BACKGROUNDVirtual global health partnership initiatives (VGHPIs) evolved rapidly during the COVID-19 pandemic to ensure partnership continuity, however the current landscape for VGHPI use and preference is unknown. This study aimed to increase understanding of GH partners’ perspectives on VGHPIs.METHODSFrom 15 October to 30 November 2020, authors conducted an online, international survey using snowball sampling to document pandemic-related changes in partnership activities; preferences for VGHPIs; and perceived acceptability and barriers. Analysis stratified responses by country income classification and partnership type. RESULTSA total of 128 respondents described 219 partnerships. 152/219 (69%) partnerships were transnational, 157/219 (72%) were of >5 years duration, and 127/219 (60%) included bidirectional site visits. High-income country (HIC) partners sent significantly more learners to low- to middle-income country (LMIC) partner sites (P<0.01). Participants commented on pandemic-related disruptions affecting 217/219 (99%) partnerships; 195/217 (90%) were disruption to activities; 122/217 (56%) to communication; 73/217 (34%) to access to professional support; and 72/217 (33%) to funding. Respondents indicated that VGHPIs would be important to 206/219 (94%) of their partnerships moving forward. There were overall differences in resource availability, technological capacity, and VGHPI preferences between LMIC and HIC respondents, with a statistically significant difference in VGHPI acceptability (p<0.001). There was no significant difference between groups regarding VGHPIs’ perceived barriers. CONCLUSIONSThe pandemic disrupted essential partnership elements, compounding differences between LMIC and HIC partners in their resources and preferences for partnership activities. VGHPIs have the potential to bridge new and existing gaps and maximize gains, bi-directionality, and equity in partnerships during and after COVID-19.
Movie critics have long been of interest to scholars because of the role they play as information intermediaries in a common market for cultural goods. Movie reviews, particularly when aggregated, are often thought to reflect the underlying quality of the film. Nevertheless, it is likely that critics influence each other, which may lead to bias in their published assessments. These potential social influence and competitive effects among critics have not been systematically studied previously. In a sample of movie reviews for movies released in the United States between 2001 and 2011, we attempt to isolate the social influence and competitive effects by exploring how movie critic reviews systematically change within critic dyads when the critics release their reviews on the same day versus different days, varying the observability of reviews by the critics. Our analysis provides evidence of competitive influence among critics with critics deviating more when other critics? reviews are observables. Additionally, we find that the degree to which critics diverge increases when the consensus about a movie?s quality is high. These findings provide evidence that critics? reviews are biased by the reviews of other crtiics and that information intermediaries, such as movie critics, are susceptible to social influence and competitive effects.
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