Reliéfní ztvárnění apoštola Pavla se na českých, moravských a slezských kachlích neobjevuje často. V gotice, respektive pozdní gotice se setkáme se zobrazením tohoto světce ve dvojici se svatým Petrem. Reliéf z Uherského Hradiště, Otakarovy ulice, ale zobrazuje jinou scénu z Pavlova života. Motiv Obrácení bývá řazen mezi nejznámější a nejzobrazovanější pavlovská témata a na kachlových reliéfech se prosazuje až s nástupem renesance a s vydatnou podporou grafických předloh. Na našem území byl ale tento námět doposud identifikován pouze na dvou místech. Možnými příčinami tohoto stavu, výtvarnými a technologickými aspekty kusu a ikonograficko-prostorovými vazbami uherskohradišťské kachlové produkce se zabývá předkládaná stať
Copper Artefacts from Eneolithic and Early Bronze Age from Uherské Hradiště Region. Archaeological Analysis and Elemental Composition Analysis. The article reflects the ongoing cooperation of the Moravian Slovak Museum in Uherské Hradiště with Nuclear Physics Institute of the CAS in Řež by Prague. This time the analysis focused on older collection fund, to which we have only a few reports of finding circumstances. The presented text thus briefly introduces preserved foundations from Velehrad-Dolní Rákoš (depot of tiles and daggers of the type Malé Leváre), from Uherské Hradiště-Sady (graves of the Chłopice-Veselé culture), from Ostrožská Nová Ves (grave findings of Early Bronze Age from multiple places) and from Kunovice (the grave of the Early Bronze Age). These are supplemented by the results of analysis of copper artefacts. Two analytical methods were used for elemental analysis of the samples-X-Ray fluorescence analysis and neutron activation analysis. Both analytical methods were used when the current state of artefact allowed to take subsample for NAA. Unfortunately the state of historical artefacts doesn't allow to give representative sampling for NAA. The long-term aim of the interdisciplinary cooperation between historians and natural scientists is more detailed knowledge about artefacts (metals in this case) which can lead to better specification of the historical period of artefact origins. Ideally, the hypothesis of the origin of the used raw materials can be confirmed or refuted.
This paper examines an iconographically unique and historically valuable relief on a tile from the late 15th century or the early 16th century which is unfortunately only partially preserved. The relief was part of an earlier find of a rich series from research in Uherské Hradiště, Otakarova Street that can be linked to the activities of pottery workshops on this site. The fragment of a motif with a mitre, a crosier and a band with inscription refers to Jan Filipec, a bishop in Oradea (Romania), an Olomouc administrator and also a prominent diplomat. Among other things, he is credited with the establishment of a Franciscan monastery in Uherské Hradiště where he spent his last years and which also became his final resting place. The article conveys Filipec's ties with the region and discusses the possible commissioner of the relief. The iconographic analysis of the motif referring to Jan Filipec is supported by the epigraphic analysis of the text on the inscription band in the tile relief.
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