Malaysian children lately have been exposed or influenced heavily by digital media entertainment. The rise of such entertainment tends to drive them away from understanding and appreciating the values of Malaysian culture. Upin and Ipin animation has successfully promoted Malaysian folklore culture and has significantly portrayed the art of Malaysian values including Islamic values by providing the platform for harmonious relationship among different societies or groups or religious backgrounds. The focus of this research is to look into the usage of Malaysian culture iconic visual styles such as backgrounds, lifestyles, character archetypes and narrative (storytelling). Therefore, we hope that this research will benefit the younger generation by highlighting the meaning and importance of implicit Malaysian culture.Key words: Upin and Ipin; animation; narrative; folklore; culture; character archetypes. Upin e Ipin: promoviendo la cultura malasia a través de los valores de la animación
ResumenRecientemente los niños en Malasia están siendo fuertemente expuestos cuando no influenciados por los medios masivos de entretenimiento digital. Esto les lleva una falta de comprensión y apreciación de la importancia de los valores de su propia cultura. La serie de animación propia Upin & Ipin ha promovido con éxito las diferentes culturas de Malasia y obtenido valores culturales significativos que representan a su arte, incluyendo el islámico, y proporcionando así una plataforma de relación armónica entre los diferentes grupos que componen la sociedad en Malasia, ya sea civil o religiosa. El foco de esta investigación analizará el uso de su cultura icónica como fondo, con elementos tales como su estilo de vida, los arquetipos de personajes y su narrativa (storytelling). De sus resultados se espera puedan beneficiarse a las generaciones más jóvenes de Malasia, al conocer el significado implícito y la importancia de la cultura de su país.Palabras clave: UPIN y IPIN; animación; narración; el folclore; la cultura; los arquetipos de personajes.
Traditional Malay theatre arts such as Wayang Kulit Kelantan or Shadow Play puppet Kelantan in Malaysia has been a form of entertainment. Unfortunately, this shadow play puppet has lost it touch and is slowly fading among the society in Malaysia. This paper will focus both on the traditional method and the animation method to create Kelantan shadow play 3D visualization digital puppetry. The paper will begin with some research on previous work related to traditional shadow play puppet and will name some efforts made to digitizing this type of performance. The paper will also look into the results of comparing the two techniques. The final section of the paper will attempt to highlight the challenges and future aspects of animation and traditional shadow play that would be significant in helping bring back the popularity of this Malaysian performing arts masterpiece.
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